This month we are pleased to have enamel artist Jan Smith coming down from Canada to join us for a weekend in our studio!
Jan started her art career as a print maker, and you can see those influences of in her jewelry and mark making. Since the mid 1980’s Jan has worked in the field of art jewelry. Her pieces combine vitreous enamels, alternative materials, and precious metal to create dream like surfaces.
Focusing on the surface she uses color, texture and mark making to create unique non-traditional surfaces. Her pieces are meant to explore memory, how it changes and the impressions memories leave behind.
August 18-20, Jan will be with us sharing how to create exciting surfaces through the exploration of nontraditional enameling processes. Line is an important element of design and will be explored through a variety of enamel techniques that allow you to achieve line and images.
Image and Mark Making in Enamel
Aug 18-19, Friday-Sunday, 10:00-5:00
Class Fee: $435 | Some Materials Included
To register call us at 206-524-0916 or stop by our studio at 5619 University Way NE, Seattle
Cuttlebone casting is one of the oldest jewelry casting methods. It is quick and fairly accurate, its main limitations being the size of the item to be cast. However it is perfect for casting at a jewelry scale and produces a wonderful unique texture that is a favorite among jewelers and jewelry lovers alike.
Cuttlebone comes from a squid-like mollusk known as a cuttlefish. The cuttlefish has a chalky internal shell with a hard, thin crust surrounding a soft internal shell.Because the cuttlebone’s soft interior can be easily carved and withstand high temperatures make it perfect as a mold making material. These days cuttlebone can commonly be found in pet stores for parakeets and parrots as a bill sharpener.
The cuttlebone can be found on beaches after sea storms and the technique has been used in Mediterranean countries for centuries and was using in mass produced jewelry up until the 1950’s. These days the majority of cast jewelry is done by centrifugal casting which is faster and cheaper than cuttlebone for mass production. However it is still a favorite method among artists because of the unique texture that the cuttlebone produces on the metal and the spontaneity of the technique.
This texture is created naturally by the cuttlebone. It is reminiscent of ocean waves, shifting sands, and topographical maps. It can be uses as a small design element or the focal point of the piece. Learning to cast cuttlebone isn’t too hard and if you wanted to do it in your own studio the casting set up is much cheaper and easier than with lost wax casting. Jennifer Stenhouse will be teaching Cuttlefish Bone Casting: Beyond Texture with us Sunday, August 13th where she will give some tricks and tips that can extend the versatility of your cuttlebone designs. Come play with us and learn all about this wonderful technique:
Class Details: Cuttlefish Bone Casting:Beyond Texture
August 13, Sunday, 10:00-5:00
Class Fee: $145| Basic materials included
To register give us a call at 206-524-0916 or stop by our studio at 5919 University Way NE, Seattle 98105
The House Rules! show 2017 – May 1-June30
Opening Reception May 5, 5:30-9:30pm
5619 University Way NE, Seattle WA
Friday, May 5, is the reception for, The House Rules! our group art jewelry show, just in time for Mother’s Day.
Traditionally, this event has been a fundraiser for our scholarship however this year we’ve decided to raise funds for the American Civil Liberties Union. The theme for our special fundraising exhibition is, MAY DAY!
50-100% of sales from these special exhibition pieces will be donated to the ACLU. Friday night, May 5, a minimum of 25% of ALL SALES IN THE GALLERY will be donated to the ACLU. On Friday night we will also raffle a class of your choosing with 100% of raffle ticket sales going directly to the ACLU.
Raffle tickets are on sale now for $10 each or 3 for $25. These can be purchased in our studio. Cash or check only, please make checks out to ACLU.
Please join us to share in our warm-hearted community and raise funds to protect our hard earned American rights, no matter what your politics.
Refreshments served with meze provided by Cafe Paloma.
Raffle drawn 8:30 (although you do not have to be present to win!)
Spring has sprung and it’s time to shake out the winter cobwebs and plant new seeds. How about planting some seeds of creativity while you are at it? This schedule has a few great opportunities for intermediate students as well as some really fun one day classes. What are you going to take this spring?
Russian Filigree with Victoria Lansford
June 23 – 25, 3 days, Friday – Sunday, 10:00 – 5:00
Class Fee: $675 | Basic materials included
We had so much fun when Victoria came to teach with us two years ago we just had to have her back. This time she’ll be teaching Russian Filigree. This style of filigree is tension fit and then soldered together. In this three day hands on class you will learn to make scalloped wire, a pendant, a ring, and begin a bead. This is a class you don’t want to miss!
Total Immersion: Intermediate Jewelry Making
Instructor: Dana Cassera
April 10 – 14, Monday – Friday, 5weekdays, 10:00 – 5:00
Class Fee: $595 | Basic materiala included
Have you already taken our Beginner Series and are looking for a new challenge? Come spend a week in our Total Immersion: Intermediate Jewelry Making workshop. In this five day workshop you will expand upon what you already know and focus on construction and soldering tricks as well as finishing techniques. You will also have the option to learn new stone settings including tube setting and prong setting. Learn about basic hydronic press forming, simple hinges, and creating your own clasp. This class will let you take your jewelry to the next level.
Faceted Stone Setting Theory and Application: Fancy Stones
Instructor: Kirk Lang
May 6 and 7, Saturday and Sunday, 10:00 – 5:00
Class Fee: $265 | $95 Materials Fee Payable to Instructor
If you have taken our other Faceted Stone Setting workshop on setting round faceted stones (or have equivilent experience) then this is the next course. Kirk Lang will show you how to set a pear shaped, triangle, and princess cut stone. Prong, flush set, and thick bezel setting will all be covered. Finally learn how to set all those fancy stones you’ve been collecting but aren’t sure how to set.
One Day “Quikies”:
Let’s Make a Spoon!
Instructor: Bill Dawson
June 17, Saturday, 10:00 – 5:00
Class Fee: $145 | Basic materials included
Metalsmithing techniques aren’t just for making jewelry but has a long history in creating functional ware too. Take a day to make a baby, table, or commemorative spoon. A great introduction to silversmithing without having to take the time and expense of raising a large vessel. A great way to practice your forging skills too!
It Ain’t Just a Drill: Getting Most Out of Your Flexible Shaft
Instructor: Andy Cooperman
April 1, Saturday, 10:00 – 5:00
Class Fee: $135 | Tool kit available for purchase
Are you just using your flexshaft to drill, polish, and finish your pieces? Then you are missing out on all the other things this tool can do! Or if you haven’t bought your flex shaft yet but aren’t sure which brand to buy this class is also for you. Andy Cooperman will spend the day explaining how the flex shaft works and what to look for when buying one as well as some innovative tricks that you can try at home.
Image Transfer on Polymer Clay
Instructor: Sarah Wilbanks
April 29, Saturday, 10:30 – 3:30
Class Fee: $125 | Materials list
Class size limit: 8
If you are interested in incorporating photographs, texture or color into your work, image transfers on polymer clay is a fun and easy solution with infinite possibilities. Creating clear photographic transfers as well as altering the images to conjure unusual textures and rich color will be demonstrated.
That’s just a sample of what we have going on for the next three months. We have much more in going on too…go check out our website at www.danacadesign.com for our full schedule!
To register for classes call us at 206-524-0916
stop by our location at 5619 University Way NE, Seattle WA
Happy New Year!
As the new year unfolds we start looking ahead to see what we want to accomplish and what the year has to offer. Which is also an excellent time to see what new classes we have to offer at Danaca Design. Our winter schedule is out and we have a wide variety of classes this quarter from a week long intensive to one day “quickie” classes.
For you long range planners we also have two guest artists coming to teach in 2017 – Victoria Landsford and Deb Karash!
Here are some of the highlights but our whole schedule and more information can be found on our website www.danacadesign.com:
Total Immersion: Beginning Jewelry Making
January 16-20, Monday – Friday, 10am-5pm
Class Fee: $595|Basic Materials Included
Spend a week getting totally immersed in learning to make jewelry! This week long class is all three of our Beginners Jewelry Workshops rolled into one class. Each night you’ll go home dreaming of what you’ll create the next day, designing in your sleep! Absolutely no experience needed.
Cold Connections Beyond Rivets with Kirk Lang
January 28-29, Sat-Sun, 10:30am-5:00pm
Class Fee: $295|Basic Materials Included
Learn some new ways to join two pieces of metal together without soldering. This workshop will teach you how to create an exciting variety of rivets, use micro tap and dies to create custom nuts and bolts, and utilize small tabs to fold over and attach one piece of metal to another. Learn to marry form and function while designing a piece of jewelry or other articulated object with these techniques. Basic jewelry making skills helpful, soldering not necessary.
Polymer Micro Mosaics for Jewelry with Cynthia Toops
February 25-26, Sat-Sun, 10:00am-5:00pm
Class Fee: $285|Some materials included
Cynthia Toops is widely recognized for her remarkable artistry in polymer clay, most especially for her polymer clay mosaics. In this workshop students will learn her tricks and create incredible micro-mosaics of their own to use like gems in pendants, brooches, and/or rings. No previous polymer clay or metal working experiance is necessary for this exciting workshop.
Winter Class “Quickies”!
Low Tech Enameling with Allan Thorne
February 13, Monday, 6pm-9pm
Class Fee: $85|Basic Materials Included
Using a torch and a few simple tools, students will learn the basics of enameling in this exciting three-hour workshop. This is a great opportunity to learn how to add vibrant color to your copper and fine silver jewelry. Moderate comfort level with a jeweler’s torch is helpful.
Silver Reticulation with Juan Reyes
February 19, Sunday, 10:30 – 3:30
Class Fee: $95 | $25 Materials fee payable to instructor
First developed in Russia by Czarist jewelers such as Fabergé, reticulated silver will add exciting and unique 3-dimensional texture to your work. By carefully preparing the surface of the metal and heating with a focused yet delicate torch, this specialized technique reveals a mysterious lunar-like landscape within every piece of silver!
Keum-Boo: Surface Treatment with Gold with Suz O’Dell
March 19, Sunday, 10:30 – 1:30
Class Fee: $75 | Materials Fee: $35 Payable to instructor, Materials list
In this workshop students will learn to add the luster of gold to their jewelry by applying 24K gold foil to fine silver. The result is dramatic, creating rich color and beautiful textural possibilities with minimal expense. All levels
But that’s just a sample of what we have going on for the next three months. Go check out our website at www.danacadesign.com for our full schedule!
To register for classes call us at 206-524-0916
stop by our location at 5619 University Way NE, Seattle WA
Instructor: Dana Cassara
November 19 and 20, Saturday and Sunday 10:30 – 5:00
Class Fee: $285 | Basic materials included
This Beginning Series Workshop focuses on the basic construction of fabricated rings, with and without stones. Each student will make a simple, textured band ring as well as a ring with a bezel-set stone. Basic materials are included. See our website for more information: www.danacadesign.com No experience necessary.
To register: Call us at 206-524-0916 or stop by the studio at 5619 University Way NE, Seattle WA
Danaca Design’s Metal Crafting Center is a jewelry and small-scale metal working studio located in the University District of Seattle. We offer classes for individuals seeking to gain skills in the art of decorative metal working and jewelry design. Our studio is a comfortable, well lit, and cheerful work space fully equipped for small-scale fabrication, including hollow forming and soldering, as well as enameling, precious metal clay and stone setting. We house a small store-front gallery featuring local artists, both professional and amateur, as well as a limited selection of tools. Several times per year we host open-house events with a particular focus on new exhibits and or exhibitors. All students of the Metal Crafting Center are encouraged to exhibit their successes in the gallery, as space is always reserved for them!
Thursday, Nov 17th from 5:30-8:00pm Danaca Design is hosting Iris Guy and Melissa Cameron’s trunk show. We’ve been fans of both of these amazing women’s work for some time and very excited to see their new jewelry.
Not familiar with Iris or Melissa? Read on for more info:
Australian-born artist and writer Melissa Cameron lives and works in Seattle, WA in the USA. She received her MFA in jewellery and metalsmithing from Monash University and a BA (hons) in interior architecture from Curtin University, in Australia. Her works are in the collections of the National Gallery of Australia, the Cheongju City Collection in South Korea, the Arts Centre Melbourne and Toowoomba Regional Art Gallery.
“I am a research jeweler.
The evidence of my investigations – the jewelry I produce – speaks to my interest in architecture, geometry, social justice, and the human body. Through my work I attempt to manifest my belief in the interdependence of all matter, and the sacredness of human life…”
“This show will see the debut of a new series of enamel and steel works, entitled Resist. An extension of my Body/Politic works, these pieces are individually enameled in a beautiful rainbow of blues, the color that is the opposite of orange on the traditional color wheel. 10% of the purchase price from the Resist line sold anywhere in the world will go to Islamic Relief USA, a non-profit 501(c)(3) humanitarian agency who work on international and domestic US development and relief projects.”
Iris Guy began studying conceptual design at an early age. Her avid interest in the field led to her formal study at the world renowned Bezalel Academy of Art and Design in Jerusalem, Israel. After graduating, she embarked on an award-winning career in graphic design. She relocated from Israel to Japan and finally to the United States, working as a freelance graphic artist.All the while, Iris designed jewelry for her friends and family.As the popularity of her personal collection grew, Iris decided to create a line of jewelry for the retail market
Simple, contemporary and lightweight, the Iris Guy jewelry collection offers something unique for everyone. Each individual piece is hand made in her Seattle based studio. Cultivated from unspoken desires and organic forms; playful shapes with architectural elements come to life in silver and 18k gold.
Her pieces say to their wearers – “Respond to your inner truth and desires”
“My unique collection of necklaces and earrings features intrinsic organic elements – combining both masculine structure and the beauty of feminine contours. Simple, contemporary and lightweight! “
Just Hot Enough: Mixed Metal Surfaces with Keith Lewis
November 11 – 13, Friday – Sunday, 10:00 – 5:00
Class Fee: $480 | Some materials included
Numerous beautiful and complex mixed-metal patterns and compositions can be created both by soldering and by exploiting the different melting points of common jewelry metals. In this workshop we will explore various ways of combining metals to create rich effects through experimentation with soldering, fusion and inlay, further enhanced by rolling and roll-printing and the application of a series of simple patinas that enhance the contrast between metals. Beginning Series or equivalent required. More details at www.danacadesign.com
This weekend Keith Lewis is back at Danaca Design to teach us all about creating mixed metal patterns and compositions. You know all those scraps of different metals you have laying around? Or would you like to start adding some gold to your work but you can only afford a tiny, tiny bit? This class is about how to use those small bits of metals to create new “yardage” of mixed metals that you can use in your jewelry work.
Want to know more? Well we asked Keith Lewis himself to tell us a bit more about what to expect this weekend and here is what he has to say:
How do you use mixed metal surfaces in your work or how might I?
In the past I have used these techniques to make more production-oriented work, as they generate lively, visually arresting patterns at relatively low expense. For instance, with these techniques you can get a lot of bang from a very small amount of gold.
That said, the resultant patterned sheet is often a bit difficult to solder, so one of the exciting challenges is to devise ways to incorporate it into work using cold connections. I’m hoping on Sunday, after folks have generated some “yardage” we will be able to brainstorm about some ways to do so, particularly in the form of simple, elegant pendants and earrings
What is most exciting about the process you will teach this coming weekend?
For me there are two things. First; these are techniques that grow from and help elucidate some of the intrinsic qualities of metal- particularly different melting characteristics and malleabilities. I find that I understand metal better from having experimented with these techniques.
Secondly, these techniques permit the kind of playfulness and spontaneity that is hard to come by in metalsmithing. There are a lot of pleasant surprises and intriguing puzzles that arise from this approach.
Is there a history of mixed metal surfaces in metalworking? Can you tell me a little about it?
Yes, there certainly is. The mot obvious reference point is Japanese mokume-gane and some of what I’m covering might be called “faux-mokume”. There is also the long history of marriage-of-metal within Western and Asian metals traditions and periodic uses of cold-inlay techniques in everything from Japanese metalwork to Indian Mughal work (as well as Western armor-work.) Another reference- of course- is the diffusion bonding of materials in damascening, Sheffield plate, “gold-filled” jewelry and bimetal such as those made by Phil Baldwin.
Thanks Keith for answering our questions. We can’t wait to see what you have in store for us this weekend!
If you would like to register for this or any other of our classes you can either call us to register by phone: 206-
or stop by our studio at 5619 University Way NE, Seattle WA
Bits and Bobs:
A collaborative show curated by Tegan Wallace
October 28 – November 28, 2016
Opening Reception Oct 28, 2016 6pm – 9pm
Often jewelry is created to celebrate and mark milestones in life. As part of marking her milestone of turning 40 jewelry artist Tegan Wallace invited a collection of artists to take a prototype or unfinished object from Tegan’s own work and breathe new life into them.
Seventeen artists were each given a “bit and bob” that had been an object originally created by Tegan and created a new art piece either using or inspired by their given “bit”.
These Bits and Bobs will become reflections of what Tegan has achieved so far while celebrating the metal community that had given her so much and continues to influence her own artistic growth.
The show will be up through November 28, 2016 at Danaca Design during our regular gallery hours: Mon-Fri 11am-6pm and Sat 10am-6pm.
Come join us!
July 18 – 22, Monday – Friday, 9:00am – 2:00pm
Class Fee: $300 | Materials included
School is just getting out but are you still looking for things for the kids to do this summer vacation? Sign them up for our Kids Jewelry Summer Camp!
Created for kids 8-12 this week long camp teaches a variety of jewelry making techniques such as wire working, texturing, stamping, bead making, and riveting metal.
Last year it was really fun to watch the kids explore a variety of jewelry techniques. They were so proud to make there own jewelry to take home each day. One of the favorite activities what learning how to use the hydraulic press to “puff” metal into a variety of shapes.
The class is taught by local jewelry artist Tegan Wallace. Tegan has been teaching jewelry making at the elementary and middle school level for several years. Not only are the kiddos going to be learning a variety of jewelry skills but Tegan will also explore the fundamentals of composition and color theory. A variety of materials will be used from Shrinky Dinks, polymer clay, and seed beads to brass & copper wire and sheet metal. Simple hand tools will be explored such as hammers, texture stamps, pliers, and more.
All supplies and materials are included in this camp and each day the kids will create a variety of jewelry that they can wear proudly or give as gifts to family and friends. Jewelry making is also a great way for the younger kids to build hand-eye coordination and dexterity that doesn’t involve a video game.
Want to register? Give us a call at 206-524-0916 to register by phone or stop by our studio at 5619 University Way Ne, Seattle, WA We are open Monday – Friday: 11-6 and Saturday: 10-6
Want to learn more about our studio? Check out our website www.danacadesign.com