Tag Archives: Artist


2017 Spring Schedule

Spring has sprung and it’s time to shake out the winter cobwebs and plant new seeds. How about planting some seeds of creativity while you are at it? This schedule has a few great opportunities for intermediate students as well as some really fun one day classes. What are you going to take this spring?

 

Guest Artist:

Necklace by Victoria Lansford

Russian Filigree with Victoria Lansford

June 23 – 25, 3 days, Friday – Sunday, 10:00 – 5:00
Class Fee: $675 | Basic materials included

We had so much fun when Victoria came to teach with us two years ago we just had to have her back. This time she’ll be teaching Russian Filigree. This style of filigree is tension fit and then soldered together. In this three day hands on class you will learn to make scalloped wire, a pendant, a ring, and begin a bead. This is a class you don’t want to miss!

Intermediate Classes:

Total Immersion: Intermediate Jewelry Making

Instructor: Dana Cassera
April 10 – 14, Monday – Friday, 5weekdays, 10:00 – 5:00
Class Fee: $595 | Basic materiala included

Have you already taken our Beginner Series and are looking for a new challenge? Come spend a week in our Total Immersion: Intermediate Jewelry Making workshop. In this five day workshop you will expand upon what you already know and focus on construction and soldering tricks as well as finishing techniques. You will also have the option to learn new stone settings including tube setting and prong setting. Learn about basic hydronic press forming, simple hinges, and creating your own clasp. This class will let you take your jewelry to the next level.

Necklace by Kirk Lang

Faceted Stone Setting Theory and Application: Fancy Stones

Instructor: Kirk Lang
May 6 and 7, Saturday and Sunday, 10:00 – 5:00
Class Fee: $265 | $95 Materials Fee Payable to Instructor

If you have taken our other Faceted Stone Setting workshop on setting round faceted stones (or have equivilent experience) then this is the next course. Kirk Lang will show you how to set a pear shaped, triangle, and princess cut stone. Prong, flush set, and thick bezel setting will all be covered. Finally learn how to set all those fancy stones you’ve been collecting but aren’t sure how to set.

One Day “Quikies”:

What would you commemorate with your spoon?

Let’s Make a Spoon!

Instructor: Bill Dawson
June 17, Saturday, 10:00 – 5:00
Class Fee: $145 | Basic materials included

Metalsmithing techniques aren’t just for making jewelry but has a long history in creating functional ware too. Take a day to make a baby, table, or commemorative spoon. A great introduction to silversmithing without having to take the time and expense of raising a large vessel. A great way to practice your forging skills too!

Andy Cooperman doing what he loves…talking about the flexshaft!

It Ain’t Just a Drill: Getting Most Out of Your Flexible Shaft

Instructor: Andy Cooperman
April 1, Saturday, 10:00 – 5:00
Class Fee: $135 | Tool kit available for purchase

Are you just using your flexshaft to drill, polish, and finish your pieces? Then you are missing out on all the other things this tool can do! Or if you haven’t bought your flex shaft yet but aren’t sure which brand to buy this class is also for you. Andy Cooperman will spend the day explaining how the flex shaft works and what to look for when buying one as well as some innovative tricks that you can try at home.

Brooch by Sarah Wilbanks

Image Transfer on Polymer Clay

Instructor: Sarah Wilbanks
April 29, Saturday, 10:30 – 3:30
Class Fee: $125 | Materials list
Class size limit: 8

If you are interested in incorporating photographs, texture or color into your work, image transfers on polymer clay is a fun and easy solution with infinite possibilities. Creating clear photographic transfers as well as altering the images to conjure unusual textures and rich color will be demonstrated.

 

That’s just a sample of what we have going on for the next three months. We have much more in going on too…go check out our website at www.danacadesign.com for our full schedule!

To register for classes call us at 206-524-0916
or
stop by our location at 5619 University Way NE, Seattle WA

New Year…New Classes!

Happy New Year!

As the new year unfolds we start looking ahead to see what we want to accomplish and what the year has to offer. Which is also an excellent time to see what new classes we have to offer at Danaca Design. Our winter schedule is out and we have a wide variety of classes this quarter from a week long intensive to one day “quickie” classes.

For you long range planners we also have two guest artists coming to teach in 2017 – Victoria Landsford and Deb Karash!

Here are some of the highlights but our whole schedule and more information can be found on our website www.danacadesign.com:

Student ring from this summer's Beginning Immersion class

Student ring from this summer’s Beginning Immersion class

Total Immersion: Beginning Jewelry Making
January 16-20, Monday – Friday, 10am-5pm
Class Fee: $595|Basic Materials Included

Spend a week getting totally immersed in learning to make jewelry! This week long class is all three of our Beginners Jewelry Workshops rolled into one class. Each night you’ll go home dreaming of what you’ll create the next day, designing in your sleep! Absolutely no experience needed.

With cold connections you can add kinetic elements to your jewelry

With cold connections you can add kinetic elements to your jewelry

Cold Connections Beyond Rivets with Kirk Lang
January 28-29, Sat-Sun, 10:30am-5:00pm
Class Fee: $295|Basic Materials Included

Learn some new ways to join two pieces of metal together without soldering. This workshop will teach you how to create an exciting variety of rivets, use micro tap and dies to create custom nuts and bolts, and utilize small tabs to fold over and attach one piece of metal to another. Learn to marry form and function while designing a piece of jewelry or other articulated object with these techniques. Basic jewelry making skills helpful, soldering not necessary.

Micro mosaic by Cynthia Toops

Micro mosaic by Cynthia Toops

Polymer Micro Mosaics for Jewelry with Cynthia Toops
February 25-26, Sat-Sun, 10:00am-5:00pm
Class Fee: $285|Some materials included

Cynthia Toops is widely recognized for her remarkable artistry in polymer clay, most especially for her polymer clay mosaics. In this workshop students will learn her tricks and create incredible micro-mosaics of their own to use like gems in pendants, brooches, and/or rings. No previous polymer clay or metal working experiance is necessary for this exciting workshop.

Winter Class “Quickies”!

enamel bracelet

enamel bracelet

Low Tech Enameling with Allan Thorne
February 13, Monday, 6pm-9pm
Class Fee: $85|Basic Materials Included

Using a torch and a few simple tools, students will learn the basics of enameling in this exciting three-hour workshop. This is a great opportunity to learn how to add vibrant color to your copper and fine silver jewelry. Moderate comfort level with a jeweler’s torch is helpful.

This reticulated silver is ready to be made into jewelry!

This reticulated silver is ready to be made into jewelry!

Silver Reticulation with Juan Reyes
February 19, Sunday, 10:30 – 3:30
Class Fee: $95 | $25 Materials fee payable to instructor

First developed in Russia by Czarist jewelers such as Fabergé, reticulated silver will add exciting and unique 3-dimensional texture to your work. By carefully preparing the surface of the metal and heating with a focused yet delicate torch, this specialized technique reveals a mysterious lunar-like landscape within every piece of silver!

Keum-boo being added to the silver surface.

Keum-boo being added to the silver surface

Keum-Boo: Surface Treatment with Gold with Suz O’Dell
March 19, Sunday, 10:30 – 1:30
Class Fee: $75 | Materials Fee: $35 Payable to instructor, Materials list
In this workshop students will learn to add the luster of gold to their jewelry by applying 24K gold foil to fine silver. The result is dramatic, creating rich color and beautiful textural possibilities with minimal expense. All levels

But that’s just a sample of what we have going on for the next three months. Go check out our website at www.danacadesign.com for our full schedule!

To register for classes call us at 206-524-0916
or
stop by our location at 5619 University Way NE, Seattle WA

Beginning Jewelry Series: Rings

Beginning Jewelry Series: Rings

Look at what our students made!

Instructor: Dana Cassara

November 19 and 20, Saturday and Sunday 10:30 – 5:00
Class Fee: $285 | Basic materials included

This Beginning Series Workshop focuses on the basic construction of fabricated rings, with and without stones. Each student will make a simple, textured band ring as well as a ring with a bezel-set stone. Basic materials are included. See our website for more information: www.danacadesign.com No experience necessary.

To register: Call us at 206-524-0916 or stop by the studio at 5619 University Way NE, Seattle WA

Danaca Design’s Metal Crafting Center is a jewelry and small-scale metal working studio located in the University District of Seattle. We offer classes for individuals seeking to gain skills in the art of decorative metal working and jewelry design. Our studio is a comfortable, well lit, and cheerful work space fully equipped for small-scale fabrication, including hollow forming and soldering, as well as enameling, precious metal clay and stone setting. We house a small store-front gallery featuring local artists, both professional and amateur, as well as a limited selection of tools. Several times per year we host open-house events with a particular focus on new exhibits and or exhibitors. All students of the Metal Crafting Center are encouraged to exhibit their successes in the gallery, as space is always reserved for them!

 

Trunk Show with Iris Guy and Melissa Cameron

flyer-november

 

Thursday, Nov 17th from 5:30-8:00pm Danaca Design is hosting Iris Guy and Melissa Cameron’s trunk show. We’ve been fans of both of these amazing women’s work for some time and very excited to see their new jewelry.

Not familiar with Iris or Melissa? Read on for more info:

Melissa Cameron

Melissa Cameron

Melissa Cameron

Australian-born artist and writer Melissa Cameron lives and works in Seattle, WA in the USA. She received her MFA in jewellery and metalsmithing from Monash University and a BA (hons) in interior architecture from Curtin University, in Australia. Her works are in the collections of the National Gallery of Australia, the Cheongju City Collection in South Korea, the Arts Centre Melbourne and Toowoomba Regional Art Gallery.

 

 

Deep Slip by Melissa Cameron

“Deep Slip” by Melissa Cameron

 

“I am a research jeweler.

The evidence of my investigations – the jewelry I produce – speaks to my interest in architecture, geometry, social justice, and the human body. Through my work I attempt to manifest my belief in the interdependence of all matter, and the sacredness of human life…”

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“Resist” earrings by Melissa Cameron

“This show will see the debut of a new series of enamel and steel works, entitled Resist. An extension of my Body/Politic works, these pieces are individually enameled in a beautiful rainbow of blues, the color that is the opposite of orange on the traditional color wheel. 10% of the purchase price from the Resist line sold anywhere in the world will go to Islamic Relief USA, a non-profit 501(c)(3) humanitarian agency who work on international and domestic US development and relief projects.”

Brooch by Melissa Cameron

Brooch by Melissa Cameron

 

Iris Guy

Iris Guy

 

Iris Guy began studying conceptual design at an early age. Her avid interest in the field led to her formal study at the world renowned Bezalel Academy of Art and Design in Jerusalem, Israel. After graduating, she embarked on an award-winning career in graphic design. She relocated from Israel to Japan and finally to the United States, working as a freelance graphic artist.All the while, Iris designed jewelry for her friends and family.As the popularity of her personal collection grew, Iris decided to create a line of jewelry for the retail market

Hanging Line necklace by Iris Guy

Hanging Line necklace by Iris Guy

Simple, contemporary and lightweight, the Iris Guy jewelry collection offers something unique for everyone. Each individual piece is hand made in her Seattle based studio. Cultivated from unspoken desires and organic forms; playful shapes with architectural elements come to life in silver and 18k gold.

Flower brooch with rivets by Iris Guy

Flower brooch with rivets by Iris Guy

Her pieces say to their wearers – “Respond to your inner truth and desires”

 “My unique collection of necklaces and earrings features intrinsic organic elements – combining both masculine structure and the beauty of feminine contours. Simple, contemporary and lightweight! “

Galaxy earrings long comet by Iris Guy

Galaxy earrings long comet by Iris Guy

Just Hot Enough: Mixed Metal Surfaces

Mixed Metal Brooch by Keith Lewis

Mixed Metal Brooch by Keith Lewis

Just Hot Enough: Mixed Metal Surfaces with Keith Lewis

November 11 – 13, Friday – Sunday, 10:00 – 5:00
Class Fee: $480 | Some materials included

Numerous beautiful and complex mixed-metal patterns and compositions can be created both by soldering and by exploiting the different melting points of common jewelry metals. In this workshop we will explore various ways of combining metals to create rich effects through experimentation with soldering, fusion and inlay, further enhanced by rolling and roll-printing and the application of a series of simple patinas that enhance the contrast between metals. Beginning Series or equivalent required. More details at www.danacadesign.com

Mixed Metal Earrings by Keith Lewis

Mixed Metal Earrings by Keith Lewis

This weekend Keith Lewis is back at Danaca Design to teach us all about creating mixed metal patterns and compositions. You know all those scraps of different metals you have laying around? Or would you like to start adding some gold to your work but you can only afford a tiny, tiny bit? This class is about how to use those small bits of metals to create new “yardage” of mixed metals that you can use in your jewelry work.

Mixed Metal Earrings by Keith Lewis

Mixed Metal Earrings by Keith Lewis

Want to know more? Well we asked Keith Lewis himself to tell us a bit more about what to expect this weekend and here is what he has to say:

How do you use mixed metal surfaces in your work or how might I?

In the past I have used these techniques to make more production-oriented work, as they generate lively, visually arresting patterns at relatively low expense. For instance, with these techniques you can get a lot of bang from a very small amount of gold.

That said, the resultant patterned sheet is often a bit difficult to solder, so one of the exciting challenges is to devise ways to incorporate it into work using cold connections. I’m hoping on Sunday, after folks have generated some “yardage” we will be able to brainstorm about some ways to do so, particularly in the form of simple, elegant pendants and earrings

What is most exciting about the process you will teach this coming weekend?

For me there are two things. First; these are techniques that grow from and help elucidate some of the intrinsic qualities of metal- particularly different melting characteristics and malleabilities. I find that I understand metal better from having experimented with these techniques.

Secondly, these techniques permit the kind of playfulness and spontaneity that is hard to come by in metalsmithing. There are a lot of pleasant surprises and intriguing puzzles that arise from this approach.

Mixed Metal Brooch by Keith Lewis

Mixed Metal Brooch by Keith Lewis

Is there a history of mixed metal surfaces in metalworking? Can you tell me a little about it?

Yes, there certainly is. The mot obvious reference point is Japanese mokume-gane and some of what I’m covering might be called “faux-mokume”. There is also the long history of marriage-of-metal within Western and Asian metals traditions and periodic uses of cold-inlay techniques in everything from Japanese metalwork to Indian Mughal work (as well as Western armor-work.) Another reference- of course- is the diffusion bonding of materials in damascening, Sheffield plate, “gold-filled” jewelry and bimetal such as those made by Phil Baldwin.

 

Thanks Keith for answering our questions. We can’t wait to see what you have in store for us this weekend!

If you would like to register for this or any other of our classes you can either call us to register by phone: 206-

or stop by our studio at 5619 University Way NE, Seattle WA

Bits and Bobs: A Collaborative Show

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All of the Bits and Bobs

Bits and Bobs:

A collaborative show curated by Tegan Wallace

October 28 – November 28, 2016

Opening Reception Oct 28, 2016 6pm – 9pm

Often jewelry is created to celebrate and mark milestones in life. As part of marking her milestone of turning 40 jewelry artist Tegan Wallace invited a collection of artists to take a prototype or unfinished object from Tegan’s own work and breathe new life into them. 

lexi-bob-cropped-original

One of the “bits”. Or is it a “bob”?

Seventeen artists were each given a “bit and bob” that had been an object originally created by Tegan and created a new art piece either using or inspired by their given “bit”.

lexi-earrings_2

Montana agate earrings by Lexi Lee

These Bits and Bobs will become reflections of what Tegan has achieved so far while celebrating the metal community that had given her so much and continues to influence her own artistic growth.

jane-drucker-detail

Detail of necklace by Jane Drucker

 

The show will be up through November 28, 2016 at Danaca Design during our regular gallery hours: Mon-Fri 11am-6pm and Sat 10am-6pm.

Come join us!

Kids Jewelry Summer Camp

Jewelry Summer Camp for Kids 8-12

July 18 – 22, Monday – Friday, 9:00am – 2:00pm

Class Fee: $300 | Materials included

School is just getting out but are you still looking for things for the kids to do this summer vacation? Sign them up for our Kids Jewelry Summer Camp!

Created for kids 8-12 this week long camp teaches a variety of jewelry making techniques such as wire working, texturing, stamping, bead making, and riveting metal.

Kid_Camp_2015_2

Hydraulic press die in all sorts of shapes and sizes.

Last year it was really fun to watch the kids explore a variety of jewelry techniques. They were so proud to make there own jewelry to take home each day. One of the favorite activities what learning how to use the hydraulic press to “puff” metal into a variety of shapes.

Student work, broken heart sculpture

Student work, broken heart sculpture

The class is taught by local jewelry artist Tegan Wallace. Tegan has been teaching jewelry making at the elementary and middle school level for several years. Not only are the kiddos going to be learning a variety of jewelry skills but Tegan will also explore the fundamentals of composition and color theory. A variety of materials will be used from Shrinky Dinks, polymer clay, and seed beads to  brass & copper wire and sheet metal. Simple hand tools will be explored such as hammers, texture stamps, pliers, and more.

Kids wirework and beads

Kids wirework and beads

All supplies and materials are included in this camp and each day the kids will create a variety of jewelry that they can wear proudly or give as gifts to family and friends. Jewelry making is also a great way for the younger kids to build hand-eye coordination and dexterity that doesn’t involve a video game.

Want to register? Give us a call at 206-524-0916 to register by phone or stop by our studio at 5619 University Way Ne, Seattle, WA We are open Monday – Friday: 11-6 and Saturday: 10-6

Want to learn more about our studio? Check out our website www.danacadesign.com

Decorative Metal Inlay: What is it?

Introduction to Decorative Metal Inlay

June 17-19, Friday – Sunday, 10:30 am-5:00 pm

Class Fee: $350 | Materials Fee: $10 payable to instructor, specialized tools available for purchase

This axe head has an elaborate example of metal inlay to create the design

This axe head has an elaborate example of metal inlay used to create the design

June 17 – 19, Friday – Sunday Bill Dawson will be teaching Introduction to Metal Inlay at Danaca Design. But what is metal inlay? I asked Bill to give us a brief history of the technique and he was very generous with his information. Here is what Bill had to say:

3600 year old metal inlay disc

“Precious metal inlay techniques are quite ancient, with early examples dating from the Bronze Age, and becoming rather popular with the introduction of iron working and gold refining around 2600-2500 ybp.  A beautiful early example is the 3600 year old bronze disc shown here.  The sun, moon, important stars, and the sunrise and set horizons are all marked in gold inlay.  Many experts believe it to have been an instrument for making corrections to the calendar from astronomical observations, but others think it may have been used for far more complex calculations.  
kashima

Vase by Kazuo Kashima

 
Basically, inlay work involves mechanically attaching a soft metal like gold or silver to a harder and contrasting metal like bronze or iron.  Typically this is done in one of two basic ways:  For field or line inlay, some of the base metal is cut away to make room for the inlay, and the edges of the hollow or channel is undercut so that when the inlay is driven in it forms a dovetail.  That is the channel is wider at the bottom, and the soft metal fills the space and can’t come out.  Alternately a file tooth pattern can be cut on the base metal, and when the softer inlay metal is driven down the teeth grip like Velcro  This has the advantage of allowing for the inlay of very thin foil.  Base metals are usually chosen to either contrast with the color of the inlay,or to take a differential patina.  Artists in Japan use this to great effect, as with the vase pictured here by Kazuo Kashima.  
drbrooch

Example of foil inlay by Bill Dawson

 
In the workshop at Danaca we will consider and compare Eastern and Western approaches to these techniques, and make many practice samples.  These will include dot inlay, line inlay, and inlayed foils.  One of the great advantages to foil inlay, called “Damisquino de Oro” in Spain, and “Nunome Zogan”,in Japan, is that you can cut the tooth in patterns that show through the foil, and add to the design.  In fact Nunome Zogan means cloth textured inlay.  I have used this visible texture in the leaves in the disc brooch here.”

 

Thanks Bill! We appreciate the information and look forward to your workshop.
If you would like to find out more information about the Intro to Metal Inlay class click here or to register call us at 206-524-0916

Danica Design is a jewelry and small-scale metal working facility located in the University District of Seattle. Learn more about us and view our full schedule at www.danacadesign.com 

Featured Class: Filigree and Granulation

Examples of modern filigree

Examples of modern filigree

 

Starting September 16th local jewelry artist Jennifer Stenhouse will be teaching the Filigree and Granulation class. This class is an introduction to the techniques used to produce open and closed back filigree with granulation.The class meets Wednesday evenings from 6:30pm-9:30pm for four weeks. Plus you can come in during our practice hours between classes to practice what you are learning and have extra time with your projects.

Cuttack Tarkasi filigree pendant and earrings

Cuttack Tarkasi filigree pendant and earrings

Filigree is ancient ornamental metalworking technique dating back to 2500 B.C. that employs a frame filled with fine threads of twisted and curled wire, small grains or balls of metal that attach at points, creating a delicate open wire work structure that can be formed and shaped for jewelry and decorative accessories.

Etruscan ear stud

Etruscan ear stud

Granulation is also an ancient technique where the surface of a piece of jewelry is decorated of small spheres of precious metal or granules. The ancient Etruscans perfected the technique and are considered unrivaled masters to this day.

Filigree - 1

contemporary filigree necklace

 

Today filigree and granulation are still widely used jewelry making techniques and can range in styles from classic, to romantic, to modern. A truly flexible technique that is good for any jeweler to know.

Participants in this class will learn how to create patterns for a frame and fill the frames using various techniques from around the world. Demonstrations will include creating the frame, fill, and granulation; fusing and soldering for different styles; forming open wire work and closed back fret work with filigree on formed surfaces; and flash plating to hide solder seams.

 

Want to register for this class? call us at 206-524-0916 or stop by at 5619 University Way NE, Seattle 98105

For more information about all of our classes at Danaca Design check out our website www.danacadesign.com

Fall 2015 Class Highlights

The weather has gotten cooler, the pumpkin lattes are flowing…it must be fall. Which means new fall classes at Danaca Design! Our full schedule will be arriving on our website any day but in the meantime here are just some of the classes that are available for registration right now:

 

Lots of pointed stones by Kirk Lang

Lots of pointed stones by Kirk Lang

Pointed Stone Setting: Theory and Applications Part II
Instructor: Kirk Lang
November 7 and 8, Saturday and Sunday, 10:00 – 5:00
Class Fee: $295|Some materials included;materials list
Shed your apprehension and learn to set challenging shaped stones in this comprehensive, hands-on weekend with master stone-setter Kirk Lang. Building off, Faceted Stone Setting Theory and Applications: Part I, this more advanced level workshop will instruct students in how to confidently set faceted stones with pointed corners. Prerequisites: Basic jewelry fabrication skills and Theory and Application Part I or equivalent.

 

Chasing and Repoussé brooch by Megan Corwin

Chasing and Repoussé brooch by Megan Corwin

Chasing and Repousse: A Modern Approach with a Traditional Base
Instructor: Megan Corwin
November 13 – 15, Friday-Sunday, 10:00 – 5:00
Class Fee: $450|$10 Materials Fee Payable to Instructor

This is a process oriented beginning class in which students will not only learn to use the tools for chasing and repoussé but will experiment with the extraordinary effects of these tools on sheet copper. Traditional lining and punching will be covered as well as refining techniques and everyone will have the opportunity to make one chasing tool. No experience necessary however returning students welcome.

 

Student using a smith little torch

Student using a smith little torch

Using the Smith Little Torch
Instructor: Micki Lippe
December 5, Saturday, 10:00 – 4:00
Class Fee: $95|Materials list

While there are several torch options, one of the most popular among bench jewelers is a mixed fuel, oxy-propane, and one of the best is the Smith “little-torch”. Micki Lippe, a seasoned professional, will show you why as she demonstrates the versatility and precision of this well-loved tool. Basic soldering experience required. 

 

The flexshaft, one of the most versatile tools at your bench.

The flexshaft: learn it and love it.

It Ain’t Just a Drill: Getting the Most From Your Flexible Shaft
Instructor: Andy Cooperman
December 19, Saturday, 10:00 – 5:00
Class Fee: $135|Tool kits available

So, you’re a jeweler or metalsmith about to be stranded on a desert island. You can bring only one tool. (Oh yeah, the island has electricity). What tool do you bring?
If you were Andy Cooperman you’d most likely bring your Flexible Shaft machine. It may be the most versatile tool at the bench. And yet for many makers it is the most underutilized and least understood. All levels.

 

Want to sign up for one of these great classes?

Call us at 206-524-0916 or stop by to register in person 5619 University Way NE, Seattle 98105 

Monday-Friday 11am-6pm & Sat 10am-6pm

And don’t forget to keep an eye on our website www.danacadesign.com for our complete fall schedule coming soon!

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