Tag Archives: beginning


Winter Class Schedule Preview

Hard to believe but this year is almost over! Why not add learning a new skill to your 2018 resolutions and take a jewelry class. Here’s preview of what is in store for winter but visit www.danacadesign.com for our complete schedule, expanded class descriptions, and materials list.

To register stop by our studio at 5619 University Way NE, Seattle or call us at 206-524-0916

Guest Instructor:

Mixed Metal Brooch by Keith Lewis

Just Hot Enough: Mixed Metal Surfaces

Instructor: Keith Lewis

February 17-19, Saturday – Monday, 10:00-5:00

Class Fee: $480|Some materials included

This workshop explores various ways of combining metals to create rich effects through experimentation with soldering, fusion, and inlay, further enhanced by rolling and roll-printing and the application of a series of simple patinas that enhance the contrast between metals. This is an intermediate class and basic metal working skills are required.

Featured Classes

Total Immersion: Beginning Jewelry Making

Instructor: Dana Cassara

January 15-19, Monday-Friday, 10:00-5:00

$595|Basic Materials Included

What better way to kick off 2018 than spending a week making jewelry? The immersion workshop combines all three of our Beginning Jewelry Series workshops in to one week long jewelry making vacation. Each day you’ll go home thinking about what to make the next day! No experience necessary.

Chasing and Repousse: A Modern Approach with a Traditional Base

Instructor: Megan Corwin

February 2-4, Friday-Sunday, 10:00-5:00

Class Fee: $450|$10 fee pay to instructor

In this beginning class, students start by learning to use the pitch bowl and hammer to chase, defining, and texturing the front of a piece of sheet metal and repousse, forming from the back. Explore the great textures and forms made possible with this technique. No experience necessary.

Faceted Stone Setting Theory and Applications: Fancy Stones

Instructor: Kirk Lang

March 3-4, Saturday-Sunday, 10:00-5:00

Class Fee:$295|$95 materials fee pay to instructor

Learn to set challenging shaped stones in this hands on weekend workshop with master stone setter Kirk Lang. Building off of Faceted Stone Setting Theory and Applications: Round Stones, this more advanced workshop will teach students how to confidently set stones with pointed corners. Faceted Stone Setting Theory and Applications: Round Stones or equivalent experience required.

Fall Quickies

Precious Metal Clay Basics I

Instructor: Suzette O’Dell

January 13, Saturday, 10:30-5:00

Class Fee $95|$75 materials fee pay to instructor

Discover what can be made with Precious Metal Clay+ (PMC+), a marvelous material that can be worked just like clay but when fired becomes pure fine silver. PMC is a great alternative to casting and lots of fun too. No experience necessary.

Kiln Fire Enameling Basics I

Instructor: Linnie Kendrick

February 23, Friday, 10:30-5:00

Class Fee: $145|Basic Materials Included

Get a taste for the beauty of colored glass on metal. In this fast paced one day workshop students will be introduced to enameling with a kiln for optimum control over desired results. Learn how to apply richly colored opaque enamels onto flat and domed sheet metal. No experience necessary.

Silver Reticulation

Instructor: Juan Reyes

March 25, Sunday, 10:30-3:30

Class Fee:$95|$25 materials fee pay to instructor

First developed in Russia by Czarist jewelers such as Faberge, reticulated silver will add exciting and unique 3-dimensional texture to your work. By carefully preparing the surface of the metal and heating with a focused yet delicate torch, this specialized technique reveals a mysterious lunar like landscape within every piece of silver. Moderate comfort level with a jeweler’s torch is helpful.

Classes for Newbies

New to metalsmithing and don’t know where to start? These classes are great for those with no experience or those who want to sharpen their skills.

Which came first?

Beginning Jewelry Series: Introduction

Instructor: Dana Cassara

January 27-28, Saturday and Sunday, 10:00-5:00

$295|Basic materials included

This workshop is an introduction to the fundamental aspects of silversmithing. Explore jewelry design while learning all the valuable basics: to saw, file, texture, form, and solder nonferrous metals like copper, brass, and silver. No experience necessary

 

Beginning Jewelry Series: Rings

Instructor: Dana Cassara

February 10-11, Saturday-Sunday, 10:00-5:00

 $295|Basic materials included

Another class in our Beginning Workshop series focuses on the basic construction of fabricated rings, with and without stones. Each student will construct a simple, textured band ring as well as a ring with a bezel set stone. No experience necessary

 

Whew! We have a lot going on this winter…and that’s just the half of it. To get our complete schedule and full information on all of our classes go to our website www.danacadesign.com

To register call us at 206-524-0916 or stop by our location at 5619 University Way NE, Seattle. We are open Monday-Friday 11-6 and Saturday 10-6

Making Jewelry with Wire

Jewelry Making Basics with Wire

Instructor: Jennifer Stenhouse
November 4-5, Saturday and Sunday, 10:30 – 5:00
Class Fee: $295| Basic materials included

Basic Bead and Wire Jewelry

Instructor Dana Cassara
December 15, Friday, 10:00 – 1:00
Class Fee:$75| Basic materials included

If you’ve looked at our fall class schedule (and if you haven’t you can at www.danacadesign.com) you may have noticed that we are offering two classes about making wire jewelry: Jewelry Making Basics with Wire and Basic Bead and Wire Jewelry. Both of these classes will get you on your way making your own jewelry designs but what’s the difference between them?

Basic Bead and Wire Jewelry is teaching the skills most people think off when you say “wire jewelry”. Basic wire wrapping to create linkage systems for earrings, necklaces, ear wires, and clasps. These linkage systems can be used to add beads and other items to necklaces and earrings or to even be links all by themselves. Ear wires and clasps mean you don’t have to buy them premade and can make them to fit the style and design that meets your creative needs. All of these techniques are cold connected meaning that no soldering is involved so all you need to get started are a few pliers, wire cutters, hammer, and bench block.

From the links to the toggle clasp all you need is some wire and solder know how!

 

The Jewelry Making Basics with Wire workshop is taking wire jewelry to the next level. In this class you will learn the essentials of soldering wire and making wire jewelry. So you can make your own chain and a variety of clasps and findings. But that’s not all you can do. Basic prong setting and some quick tricks for simple stacking rings are also covered in this class.  

 

Examples of prongs settings made with wire

 

Hopefully we’ve inspired you to start looking at wire in new ways. Now the real question is what are you going to make with wire?

 

To register for these or any of our other classes call us at 206-524-0916 or stop by our studio at 5619 University Way NE, Seattle

For  our complete fall schedule visit us at www.danacadesign.com

 

Fall Schedule Sneak Peek

Happy Fall! It’s finally cooler and the rain is coming back…which is a perfect time to take a class. Here’s a sample of what is in store for fall but visit www.danacadesign.com for our complete schedule, expanded class descriptions, and materials list.

To register stop by our studio at 5619 University Way NE, Seattle or call us at 206-524-0916

Guest Instructor: Jeff Georantes

Start with scrap metal and end up with a ring…how cool

Fire, Forge, and Flush-Stonesetting

December 1-3, $395|$35 materials fee paid to instructor

Jeff Georantes is coming from Hanover, New Hampshire to explore a variety of core metalsmithing skills that culminate in a finished silver ring set with faceted stones. Class will begin with casting and end with polishing and in between you will roll, hammer, and set stones. This class will be filled with tips and tricks and is open to all skill levels. No experience necessary!

Featured Classes

We don’t have this classes very often…so best to get them while you can!

Cloisonne Enameling

with Linnie Kendrick

October 21-22, $295|Basic materials included

The vivid color and unique beauty of enamel has been prized for centuries. The beauty of Cloisonne, with it’s fine lines of precious metal combined with the rich color of enamel to create patterns and images. This is a beginner level class, no experience necessary however basic enameling helpful

Jewelry Making Basics with Wire

with Jennifer Stenhouse

November 4-5, |Basic materials included

Learn the essentials of soldering and making jewelry with wire – a perfect class to create gifts for family and friends, or even start a little business. The techniques covered in class can be continued at home with a simple setup. No experience necessary

Needle Felting Forms for Jewelry

with Cynthia Toops

December 16-17, $285|$30 materials fee paid to instructor

Spend a relaxing and inspiring weekend learning to shape a ball of soft wool into amazing 3-dimensional objects. You might poke your finger a few times but you will have lots of fun discovering this new medium. No experience necessary

Fall Quickies

Can’t commit to a whole weekend? These one day “quickies” pack a lot into one class

Soldering Essential

with Dana Cassara

October 27, $95|Basic materials included

Whether you’ve already started soldering or never even tried, if you are looking to learn how to silver solder, or just get better, this class is for you. Expect lots of hands on time at the soldering table and practice with different torches. No experience necessary

Riveting Basics

with Dana Cassara

November 17, $95|Basic material included

Don’t have a torch at home? Don’t worry you can still make jewelry! Riveting is a fun and simple way to connect metal to metal or metal to non-metal. A new world opens up once you take away the heat. This is a fast paced class focused on designing, problem solving, practicing, and producing work without soldering. No experience necessary

Using the Smith Little Torch

with Micki Lippe

December 9, $95| Materials list

There are several torch options on the market but a popular choice among jewelers is the Smith “little torch”. Micki Lippe, a seasoned professional, will show you why as she demonstrates the versatility and precision of this well loved tool. Basic soldering experience required

 

 

Classes for Newbies

New to metalsmithing and don’t know where to start? These classes are great for those with no experience or those who want to sharpen their skills.

Beginning Jewelry Series: Introduction

with Dana Cassara

October 7-8, $295|Basic materials included

This workshop is an introduction to the fundamental aspects of silversmithing. Explore jewelry design wile learning all the valuable basics: to saw, file, texture, form, and solder nonferrous metals like copper, brass, and silver. No experience necessary

Beginning Jewelry Series: Rings

with Dana Cassara

November 11-12, $295|Basic materials included

Another class in our Beginning Workshop series focuses on the basic construction of fabricated rings, with and without stones. Each student will construct a simple, textured band ring as well as a ring with a bezel set stone. No experience necessary

Basic Bead and Wire Jewelry

with Dana Cassara

December 15, $75|Basic materials included

Learn the simple tricks to cold working wire to create linkage systems for earrings, necklaces, ear wires, and clasps. This class will give you the basic skills to start making jewelry for yourself or even as gifts. No experience necessary

Low Tech Gravity Casting

Melting silver scrap for gravity casting

Melting silver scrap for gravity casting

Come play with fire this summer! Spend three Wed evenings, July 12,19, & 26, 6:30-9:30 learning everything you need to start doing this fun and fast form of casting.This class is only offered once a year and features, among other things, sand casting, cuttlebone, and tufa stone casting. Gravity Casting is a great way to learn metal casting with out a huge set up like lost wax casting and is a great class to use up any scrap silver you might have laying around.

Gravity Cast 4

Keeping the metal hot right before pouring into the mold.

Gravity Casting

Gravity Casting is a permanent casting method where metal is heated until it is molten and then poured into a mold. The molds can be made of many materials such as metal, sand, tufa stone, and cuttle bone. In jewelry making the most frequent mold materials are sand casting, tufa stone, and cuttle bone.

 

Learning to cast isn’t just about making jewelry components. By knowing how to cast you can alloy your own metals; for instance creating sterling silver out of fine silver casting grains or pouring ingots. An ingot is a block of metal typically oblong in shape. Ingots can be rolled out in a rolling mill (creating sheet or wire) or can be forged. Pouring ingots is a great way to use up small bits of metal scrap and shavings getting the most out of your precious metals.

 

Cuttlebone cast earrings by Jennifer Stenhouse

Cuttlebone Casting

This metal casting technique takes advantage of the properties of a finely porous bone-like internal organ that is shared by all members of the cuttlefish family. Using cuttlefish bone to carve out molds in order to cast is one of the oldest casting methods on record. It creates a very distinct texture that is unique to carving the cuttlefish bone. Cuttlefish bone will wash up on beaches from naturally-deceased animals all over the world. It’s ease in carving and accessibility is probably what led to it being used as a mold material since ancient times.

 

Pouring into a tufa stone mold

Pouring into a tufa stone mold

Tufa Stone Casting

The Spanish coming to New Mexico and Arizona is what brought the tradition of silversmithing to the American South West. They taught the Navajo and Pueblo people how to cast molten silver to create jewelry and other items. The mold material that they used was tufa stone. Tufa stone is a soft and porous volcanic stone that can be found in many parts of the world including the Navajo reservation in Arizona. Tufa stone can be easily carved and withstand high heat making it an excellent mold making material.

Melting the metal to pour into a sand casting mold.

Melting the metal to pour into a sand casting mold.

Sand Casting

Sand casting is a metal casting process where sand is used as the mold material. Jewelers and industry uses the sand casting process and it is the most commonly used method in industrial casting. The basic process is that a pattern is made in the sand and then molten metal is pored into this recess. Once cooled the casting resembles the pattern made in the sand.

 

 

Have we got you interested in gravity casting yet? Come check out this class and all classes on the summer schedule at Danaca Design by clicking right HERE!

New Year…New Classes!

Happy New Year!

As the new year unfolds we start looking ahead to see what we want to accomplish and what the year has to offer. Which is also an excellent time to see what new classes we have to offer at Danaca Design. Our winter schedule is out and we have a wide variety of classes this quarter from a week long intensive to one day “quickie” classes.

For you long range planners we also have two guest artists coming to teach in 2017 – Victoria Landsford and Deb Karash!

Here are some of the highlights but our whole schedule and more information can be found on our website www.danacadesign.com:

Student ring from this summer's Beginning Immersion class

Student ring from this summer’s Beginning Immersion class

Total Immersion: Beginning Jewelry Making
January 16-20, Monday – Friday, 10am-5pm
Class Fee: $595|Basic Materials Included

Spend a week getting totally immersed in learning to make jewelry! This week long class is all three of our Beginners Jewelry Workshops rolled into one class. Each night you’ll go home dreaming of what you’ll create the next day, designing in your sleep! Absolutely no experience needed.

With cold connections you can add kinetic elements to your jewelry

With cold connections you can add kinetic elements to your jewelry

Cold Connections Beyond Rivets with Kirk Lang
January 28-29, Sat-Sun, 10:30am-5:00pm
Class Fee: $295|Basic Materials Included

Learn some new ways to join two pieces of metal together without soldering. This workshop will teach you how to create an exciting variety of rivets, use micro tap and dies to create custom nuts and bolts, and utilize small tabs to fold over and attach one piece of metal to another. Learn to marry form and function while designing a piece of jewelry or other articulated object with these techniques. Basic jewelry making skills helpful, soldering not necessary.

Micro mosaic by Cynthia Toops

Micro mosaic by Cynthia Toops

Polymer Micro Mosaics for Jewelry with Cynthia Toops
February 25-26, Sat-Sun, 10:00am-5:00pm
Class Fee: $285|Some materials included

Cynthia Toops is widely recognized for her remarkable artistry in polymer clay, most especially for her polymer clay mosaics. In this workshop students will learn her tricks and create incredible micro-mosaics of their own to use like gems in pendants, brooches, and/or rings. No previous polymer clay or metal working experiance is necessary for this exciting workshop.

Winter Class “Quickies”!

enamel bracelet

enamel bracelet

Low Tech Enameling with Allan Thorne
February 13, Monday, 6pm-9pm
Class Fee: $85|Basic Materials Included

Using a torch and a few simple tools, students will learn the basics of enameling in this exciting three-hour workshop. This is a great opportunity to learn how to add vibrant color to your copper and fine silver jewelry. Moderate comfort level with a jeweler’s torch is helpful.

This reticulated silver is ready to be made into jewelry!

This reticulated silver is ready to be made into jewelry!

Silver Reticulation with Juan Reyes
February 19, Sunday, 10:30 – 3:30
Class Fee: $95 | $25 Materials fee payable to instructor

First developed in Russia by Czarist jewelers such as Fabergé, reticulated silver will add exciting and unique 3-dimensional texture to your work. By carefully preparing the surface of the metal and heating with a focused yet delicate torch, this specialized technique reveals a mysterious lunar-like landscape within every piece of silver!

Keum-boo being added to the silver surface.

Keum-boo being added to the silver surface

Keum-Boo: Surface Treatment with Gold with Suz O’Dell
March 19, Sunday, 10:30 – 1:30
Class Fee: $75 | Materials Fee: $35 Payable to instructor, Materials list
In this workshop students will learn to add the luster of gold to their jewelry by applying 24K gold foil to fine silver. The result is dramatic, creating rich color and beautiful textural possibilities with minimal expense. All levels

But that’s just a sample of what we have going on for the next three months. Go check out our website at www.danacadesign.com for our full schedule!

To register for classes call us at 206-524-0916
or
stop by our location at 5619 University Way NE, Seattle WA

Beginning Jewelry Series: Rings

Beginning Jewelry Series: Rings

Look at what our students made!

Instructor: Dana Cassara

November 19 and 20, Saturday and Sunday 10:30 – 5:00
Class Fee: $285 | Basic materials included

This Beginning Series Workshop focuses on the basic construction of fabricated rings, with and without stones. Each student will make a simple, textured band ring as well as a ring with a bezel-set stone. Basic materials are included. See our website for more information: www.danacadesign.com No experience necessary.

To register: Call us at 206-524-0916 or stop by the studio at 5619 University Way NE, Seattle WA

Danaca Design’s Metal Crafting Center is a jewelry and small-scale metal working studio located in the University District of Seattle. We offer classes for individuals seeking to gain skills in the art of decorative metal working and jewelry design. Our studio is a comfortable, well lit, and cheerful work space fully equipped for small-scale fabrication, including hollow forming and soldering, as well as enameling, precious metal clay and stone setting. We house a small store-front gallery featuring local artists, both professional and amateur, as well as a limited selection of tools. Several times per year we host open-house events with a particular focus on new exhibits and or exhibitors. All students of the Metal Crafting Center are encouraged to exhibit their successes in the gallery, as space is always reserved for them!

 

Decorative Metal Inlay: What is it?

Introduction to Decorative Metal Inlay

June 17-19, Friday – Sunday, 10:30 am-5:00 pm

Class Fee: $350 | Materials Fee: $10 payable to instructor, specialized tools available for purchase

This axe head has an elaborate example of metal inlay to create the design

This axe head has an elaborate example of metal inlay used to create the design

June 17 – 19, Friday – Sunday Bill Dawson will be teaching Introduction to Metal Inlay at Danaca Design. But what is metal inlay? I asked Bill to give us a brief history of the technique and he was very generous with his information. Here is what Bill had to say:

3600 year old metal inlay disc

“Precious metal inlay techniques are quite ancient, with early examples dating from the Bronze Age, and becoming rather popular with the introduction of iron working and gold refining around 2600-2500 ybp.  A beautiful early example is the 3600 year old bronze disc shown here.  The sun, moon, important stars, and the sunrise and set horizons are all marked in gold inlay.  Many experts believe it to have been an instrument for making corrections to the calendar from astronomical observations, but others think it may have been used for far more complex calculations.  
kashima

Vase by Kazuo Kashima

 
Basically, inlay work involves mechanically attaching a soft metal like gold or silver to a harder and contrasting metal like bronze or iron.  Typically this is done in one of two basic ways:  For field or line inlay, some of the base metal is cut away to make room for the inlay, and the edges of the hollow or channel is undercut so that when the inlay is driven in it forms a dovetail.  That is the channel is wider at the bottom, and the soft metal fills the space and can’t come out.  Alternately a file tooth pattern can be cut on the base metal, and when the softer inlay metal is driven down the teeth grip like Velcro  This has the advantage of allowing for the inlay of very thin foil.  Base metals are usually chosen to either contrast with the color of the inlay,or to take a differential patina.  Artists in Japan use this to great effect, as with the vase pictured here by Kazuo Kashima.  
drbrooch

Example of foil inlay by Bill Dawson

 
In the workshop at Danaca we will consider and compare Eastern and Western approaches to these techniques, and make many practice samples.  These will include dot inlay, line inlay, and inlayed foils.  One of the great advantages to foil inlay, called “Damisquino de Oro” in Spain, and “Nunome Zogan”,in Japan, is that you can cut the tooth in patterns that show through the foil, and add to the design.  In fact Nunome Zogan means cloth textured inlay.  I have used this visible texture in the leaves in the disc brooch here.”

 

Thanks Bill! We appreciate the information and look forward to your workshop.
If you would like to find out more information about the Intro to Metal Inlay class click here or to register call us at 206-524-0916

Danica Design is a jewelry and small-scale metal working facility located in the University District of Seattle. Learn more about us and view our full schedule at www.danacadesign.com 

Chasing and Repoussé

Amy Hamblin Milagro

Repoussé – /rəˌpo͞oˈsā/: A metalworking technique where metal is shaped or ornamented by hammering onto the reverse side creating a low relief.

Chasing – /CHās,ing/: Opposite to repoussé, chasing hammers on the front of the pieced and is used in conjunction to create a finished piece.

Metalsmiths have been using chasing and repoussé to adorn metal since antiquity. The Greeks in 3rd century BC used it to create elaborate scenes on armor and shields and 2nd century Hellenic earrings.

The technique is still widely used today both on functional items such as water vessels in India, sculpture, and jewelry worldwide.

Class Photos November 13 – 15, Friday-Sunday, 10:00 – 5:00 the very talented Megan Corwin will be teaching Chasing and Repoussé – A Modern Approach with a Traditional Base. This is a process oriented beginning class in which students will not only learn to use the tools for chasing and repoussé but will experiment with the extraordinary effects of these tools on sheet copper.
 
In this three day workshop day one will focus on experimenting with the chasing tools on copper. On day two the traditional approach to lining the front and punching the back of a design will be covered. Day three the students will learn texturing and refining techniques.
 
This beginning class is process oriented resulting in an informative group of samples from which to build. Megan brings lots of her own samples, finished pieces, and a selection of tools for students to use during class.
 

Interested in registering? Call to register by phone: 206-524-0916 or stop by our location to register in person: 5619 University Way NE, Seattle 98105

For more information on this and all of our classes go to www.danacadesign.com

Wax Working for Jewelers

Carved wax and wax carving tools

Carved wax and wax carving tools

Lost wax casting is widely used today for mass producing jewelry and jewelry components but is also used to create unique, one-of-a-kind jewelry pieces as well. Wednesday nights, Oct 14 – Nov 18, 6:30pm-9:30pm our Wax Working for Jewelers will get you started creating your own waxes in no time.Whether you are a new or returning student you will learn the fundamentals and some good tricks for designing and creating wax models for casting in this six week workshop. This is a reoccurring class so if you missed it this time check back for future classes!

Carved wax jewelry sprued to one "tree" ready for casting

Carved wax jewelry sprued to one “tree” ready for casting

One of the most important parts of casting is starting will a well designed and carved wax model. Without proper planning the metal may not be able to flow correctly during the casting process resulting in a partial casting. And knowing how to design a wax with an eye toward the finished design not only helps with the look of the piece but can save you a lot of time in clean up after the casting is done!

Jewelry right after casting

Jewelry right after casting

The final waxes will be sent out to a professional casting house and returned the final week for finishing. This is a multiple week class and so students are able and encouraged to come into the studio during Practice Hours to work on class projects.

To find out more about this and all of our current classes please go to www.danacadesign.com 

Danaca Design is open Mon-Fri 11am-6pm and Sat 10am-6pm. If you are in the Seattle area stop by to see our jewelry gallery and mercantile at:

5619 University Way NE, Seattle WA 

Extraordinary Effects with Polymer Striped Canes

Poly stripe bracelet by Cynthia Toops

Poly stripe bracelet by Cynthia Toops

 

What do you think of when you hear polymer clay? Well if you are Cynthia Toops you think it is a wonderful material with unlimited potential in jewelry making. September 26 & 27 Cynthia will be teaching Extraordinary Effects with Polymer Striped Canes at Danaca Design. Cynthia’s own work takes polymer clay to the next level making the mundane magical. 

 

Pendant made using polymer clay canes by Georgia P Designs (https://georgiapdesigns.wordpress.com)

Pendant made using polymer clay canes by Georgia P Designs (https://georgiapdesigns.wordpress.com)

Glass millefiori pendant

Glass millefiori pendant

But what are polymer striped canes?

Polymer canes are when long strips of polymer clay are layered, usually to create a design, and then cut apart. They are based off of the millefiori glasswork technique that is used to apply decoration to glass objects. Canes patterns can very simple to very complex and how the canes are laid out together adds to the beauty and complexity.  

 

 

 

 

 

 

 

These canes can then be used to cover beads and cabochons to create unique decorative elements for your jewelry. Techniques like combing, carving and mokume gane will be covered expanding and enlivening your repertoire.

Finally students will explore “thin sheet work” to make simple pins, bracelets and other alternative polymer clay forms.

This class is open to all levels, from the beginner curious about the many possibilities of polymer clay to the advanced student interested in focusing on a particular aspect of the medium. 

To register for class call us at 206-524-0916 or stop by Mon-Fri 11am-6pm or Sat 10am-6pm at 5619 University Way NE, Seattle WA, 98105

Don’t forget to check out our complete fall schedule at www.danacadesign.com

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