Tag Archives: enamel

Fall Schedule Sneak Peek

Happy Fall! It’s finally cooler and the rain is coming back…which is a perfect time to take a class. Here’s a sample of what is in store for fall but visit www.danacadesign.com for our complete schedule, expanded class descriptions, and materials list.

To register stop by our studio at 5619 University Way NE, Seattle or call us at 206-524-0916

Guest Instructor: Jeff Georantes

Start with scrap metal and end up with a ring…how cool

Fire, Forge, and Flush-Stonesetting

December 1-3, $395|$35 materials fee paid to instructor

Jeff Georantes is coming from Hanover, New Hampshire to explore a variety of core metalsmithing skills that culminate in a finished silver ring set with faceted stones. Class will begin with casting and end with polishing and in between you will roll, hammer, and set stones. This class will be filled with tips and tricks and is open to all skill levels. No experience necessary!

Featured Classes

We don’t have this classes very often…so best to get them while you can!

Cloisonne Enameling

with Linnie Kendrick

October 21-22, $295|Basic materials included

The vivid color and unique beauty of enamel has been prized for centuries. The beauty of Cloisonne, with it’s fine lines of precious metal combined with the rich color of enamel to create patterns and images. This is a beginner level class, no experience necessary however basic enameling helpful

Jewelry Making Basics with Wire

with Jennifer Stenhouse

November 4-5, |Basic materials included

Learn the essentials of soldering and making jewelry with wire – a perfect class to create gifts for family and friends, or even start a little business. The techniques covered in class can be continued at home with a simple setup. No experience necessary

Needle Felting Forms for Jewelry

with Cynthia Toops

December 16-17, $285|$30 materials fee paid to instructor

Spend a relaxing and inspiring weekend learning to shape a ball of soft wool into amazing 3-dimensional objects. You might poke your finger a few times but you will have lots of fun discovering this new medium. No experience necessary

Fall Quickies

Can’t commit to a whole weekend? These one day “quickies” pack a lot into one class

Soldering Essential

with Dana Cassara

October 27, $95|Basic materials included

Whether you’ve already started soldering or never even tried, if you are looking to learn how to silver solder, or just get better, this class is for you. Expect lots of hands on time at the soldering table and practice with different torches. No experience necessary

Riveting Basics

with Dana Cassara

November 17, $95|Basic material included

Don’t have a torch at home? Don’t worry you can still make jewelry! Riveting is a fun and simple way to connect metal to metal or metal to non-metal. A new world opens up once you take away the heat. This is a fast paced class focused on designing, problem solving, practicing, and producing work without soldering. No experience necessary

Using the Smith Little Torch

with Micki Lippe

December 9, $95| Materials list

There are several torch options on the market but a popular choice among jewelers is the Smith “little torch”. Micki Lippe, a seasoned professional, will show you why as she demonstrates the versatility and precision of this well loved tool. Basic soldering experience required



Classes for Newbies

New to metalsmithing and don’t know where to start? These classes are great for those with no experience or those who want to sharpen their skills.

Beginning Jewelry Series: Introduction

with Dana Cassara

October 7-8, $295|Basic materials included

This workshop is an introduction to the fundamental aspects of silversmithing. Explore jewelry design wile learning all the valuable basics: to saw, file, texture, form, and solder nonferrous metals like copper, brass, and silver. No experience necessary

Beginning Jewelry Series: Rings

with Dana Cassara

November 11-12, $295|Basic materials included

Another class in our Beginning Workshop series focuses on the basic construction of fabricated rings, with and without stones. Each student will construct a simple, textured band ring as well as a ring with a bezel set stone. No experience necessary

Basic Bead and Wire Jewelry

with Dana Cassara

December 15, $75|Basic materials included

Learn the simple tricks to cold working wire to create linkage systems for earrings, necklaces, ear wires, and clasps. This class will give you the basic skills to start making jewelry for yourself or even as gifts. No experience necessary

Jan Smith enamel+metal

Traces 1 by Jan Smith

This month we are pleased to have enamel artist Jan Smith coming down from Canada to join us for a weekend in our studio!

Jan started her art career as a print maker, and you can see those influences of in her jewelry and mark making. Since the mid 1980’s Jan has worked in the field of art jewelry. Her pieces combine vitreous enamels, alternative materials, and precious metal to create dream like surfaces. 

Red by Jan Smith

Focusing on the surface she uses color, texture and mark making to create unique non-traditional surfaces. Her pieces are meant to explore memory, how it changes and the impressions memories leave behind. 

Stem Slice by Jan Smith

August 18-20, Jan will be with us sharing how to create exciting surfaces through the exploration of nontraditional enameling processes. Line is an important element of design and will be explored through a variety of enamel techniques that allow you to achieve line and images.

Image and Mark Making in Enamel

Aug 18-19, Friday-Sunday, 10:00-5:00

Class Fee: $435 | Some Materials Included

To register call us at 206-524-0916 or stop by our studio at 5619 University Way NE, Seattle

July Classes

Summer is here and before you get too busy making vacation plans don’t forget to schedule some summer classes too. Play for a day in a one day “quickie” or spend a whole week in an immersion class. We also have kid jewelry camps too! Here is what is coming up in July but check out our full schedule online here 

Featured Classes in July:


Kids wirework and beads

Jewelry Summer Camp for Kids 8-12
July 17-21, Monday-Friday, 9:00am-2:00pm,

Class Fee: $300

Looking for a fun and artistic activity for your 3rd-6th grader this summer? Have them come spend a week making jewelry with us. These week long camps teach cool jewelry making techniques such as bead making, creative wire-working, metal texturing, stamping, and basic riveting! No experience necessary and return students welcome.

Total Immersion: Beginning Jewelry Making
July 24-28, Monday-Friday, 10:00-5:00
Class Fee: $595|Basic materials included

Come spend a week taking a jewelry vacation! This class is all three of our beginning series workshops rolled into one. Each day you’ll go home dreaming about what to create the next day. Absolutely no experience needed.

One Day “Quickie” Classes:

Enamel earrings by Linnie Kendrick


Kiln Fire Enameling Basics I
July 8, Saturday, 10:30-5:00pm
Class Fee: $145|Basic materials included

Get a taste for the timeless beauty of colored glass on metal. Students will learn how to properly apply richly colored opaque enamels onto flat and domed sheet metal by both sifting and wet-laying. No experience necessary.

Soldering Essentials
July 9, Sunday 10:00-4:00pm
Class Fee: $95|Basic materials included

Whether you’ve had a soldering class, attempted to learn from a book, or never even tried, if you are looking to learn how to silver-solder or just get better at it, this class is for you. Expect lots of hands-on time at the soldering table and practice with different torches. No experience necessary.

Summer Don’t Miss Classes:

Melting scrap metal in preparation for pouring into the mold.

Low Tech Gravity Casting
July 12, 19, 26, Wed Evening, 6:30-9:00pm
Class Fee:$295|Basic materials included

Learn the fundamentals of casting by exploring the ancient technique of pouring molten metal directly into molds carved or formed from sand, soft stone, and other surprising materials. This process does not require any major equipment so it is easily reproduced in a home studio or in your back yard! No experience necessary.

Beautiful shapes can be created with fold forming techniques

Fantastic Fold Forming!
July 22-23, Saturday and Sunday, 10:30-5:00
Class Fee:$265|Basic materials included

Fold forming is an exciting technique wherein sheet metal is manipulated and hammered to create fabulously textured, 3-dimensional, organic forms. This is a quick porcess, so students will have the opportunity to create a variety of basic forms in this quick workshop. All levels.

PMC…create as you would with clay but once fired becomes all metal

Bronze Precious Metal Clay Basics
July 29-30, Saturday, 10:00-4:00pm
Class Fee: $95|Materials kit $30 payed to instructor

Striking jewelry can be made easily and inexpensively with Bronze Precious Metal Clay, bronze clay that when fired in a kiln results in pure metal! This workshop will focus on the basics of working with PMC Bronze however students might also explore components for earring and pendants. No experience necessary however intermediate level students encouraged.

New Year…New Classes!

Happy New Year!

As the new year unfolds we start looking ahead to see what we want to accomplish and what the year has to offer. Which is also an excellent time to see what new classes we have to offer at Danaca Design. Our winter schedule is out and we have a wide variety of classes this quarter from a week long intensive to one day “quickie” classes.

For you long range planners we also have two guest artists coming to teach in 2017 – Victoria Landsford and Deb Karash!

Here are some of the highlights but our whole schedule and more information can be found on our website www.danacadesign.com:

Student ring from this summer's Beginning Immersion class

Student ring from this summer’s Beginning Immersion class

Total Immersion: Beginning Jewelry Making
January 16-20, Monday – Friday, 10am-5pm
Class Fee: $595|Basic Materials Included

Spend a week getting totally immersed in learning to make jewelry! This week long class is all three of our Beginners Jewelry Workshops rolled into one class. Each night you’ll go home dreaming of what you’ll create the next day, designing in your sleep! Absolutely no experience needed.

With cold connections you can add kinetic elements to your jewelry

With cold connections you can add kinetic elements to your jewelry

Cold Connections Beyond Rivets with Kirk Lang
January 28-29, Sat-Sun, 10:30am-5:00pm
Class Fee: $295|Basic Materials Included

Learn some new ways to join two pieces of metal together without soldering. This workshop will teach you how to create an exciting variety of rivets, use micro tap and dies to create custom nuts and bolts, and utilize small tabs to fold over and attach one piece of metal to another. Learn to marry form and function while designing a piece of jewelry or other articulated object with these techniques. Basic jewelry making skills helpful, soldering not necessary.

Micro mosaic by Cynthia Toops

Micro mosaic by Cynthia Toops

Polymer Micro Mosaics for Jewelry with Cynthia Toops
February 25-26, Sat-Sun, 10:00am-5:00pm
Class Fee: $285|Some materials included

Cynthia Toops is widely recognized for her remarkable artistry in polymer clay, most especially for her polymer clay mosaics. In this workshop students will learn her tricks and create incredible micro-mosaics of their own to use like gems in pendants, brooches, and/or rings. No previous polymer clay or metal working experiance is necessary for this exciting workshop.

Winter Class “Quickies”!

enamel bracelet

enamel bracelet

Low Tech Enameling with Allan Thorne
February 13, Monday, 6pm-9pm
Class Fee: $85|Basic Materials Included

Using a torch and a few simple tools, students will learn the basics of enameling in this exciting three-hour workshop. This is a great opportunity to learn how to add vibrant color to your copper and fine silver jewelry. Moderate comfort level with a jeweler’s torch is helpful.

This reticulated silver is ready to be made into jewelry!

This reticulated silver is ready to be made into jewelry!

Silver Reticulation with Juan Reyes
February 19, Sunday, 10:30 – 3:30
Class Fee: $95 | $25 Materials fee payable to instructor

First developed in Russia by Czarist jewelers such as Fabergé, reticulated silver will add exciting and unique 3-dimensional texture to your work. By carefully preparing the surface of the metal and heating with a focused yet delicate torch, this specialized technique reveals a mysterious lunar-like landscape within every piece of silver!

Keum-boo being added to the silver surface.

Keum-boo being added to the silver surface

Keum-Boo: Surface Treatment with Gold with Suz O’Dell
March 19, Sunday, 10:30 – 1:30
Class Fee: $75 | Materials Fee: $35 Payable to instructor, Materials list
In this workshop students will learn to add the luster of gold to their jewelry by applying 24K gold foil to fine silver. The result is dramatic, creating rich color and beautiful textural possibilities with minimal expense. All levels

But that’s just a sample of what we have going on for the next three months. Go check out our website at www.danacadesign.com for our full schedule!

To register for classes call us at 206-524-0916
stop by our location at 5619 University Way NE, Seattle WA

Summer Class Highlights

Summer is here and so is the new summer schedule at Danaca Design! We’ve got a full spectrum of classes on the schedule this summer with something for beginners to more advanced students. You can even turn your kids on to metal in our Jewelry Summer Camp for Kids (July 18-22, 9-2)! Here are just a few highlights on our summer schedule but stop by our website to find out more details on all of our classes: www.danacadesign.com

Beginner Classes

Real beginners might consider learning to make a Basic Band Ring (July 9, 10-4) or Rivets (August 20, 10-4). Or if you really want to dive in spend a week learning the fundamentals of metalsmithing in our Total Immersion: Beginning Jewelry Making class:


BEGI 2009 Summer Intensive Kristi

Pendant made in Summer Intensive by Kristi

Total Immersion: Beginning Jewelry Making (July 11-15, 10:30-5)

The Total Immersion: Beginning Jewelry Making is the equivalent to taking all three of our Beginning Jewelry Making series workshops. Learn the fundamentals of working with precious metal: sawing, disc cutting and dapping, hammer texturing, roll printing, basic forming and finishing, as well as bezel setting stones. In this beginning silversmithing class students will make individualized jewelry pieces including a pin, pendent, ring and a simple linked project. Each night you’ll go home dreaming of what to create the next day, designing in your sleep. This class is an ideal opportunity to explore a range of techniques, in a condensed time, while creating several projects.


Beginning and Intermediate Classes

Beginning and intermediate students can pick-up new skills like Gravity Casting (August 3 & 10, 6:30-9), Anticlastic Forming (July 29-31, 10:30-5), Filigree (September 18-19, 10:30-5) or Chasing and Repousse with Nancy Megan Corwin (August 5-7, 10-5). Or explore new processes such as:

Flora II by Cynthia Toop

Flora II by Cynthia Toop

Cynthia Toops’ Seven Bead Bracelet (September 24-25, 10:00-5)

Explore the wide variety of possibilities in polymer clay for jewelry while focusing on seven unusual beads for a comprehensive sampler bracelet. In this intensive weekend workshop students will investigate various bead shapes, explore hollow and foil cores, surface decoration with simple and complex canes, as well as carving, drawing, onlay, mokumegane and mosaic work. Cynthia is masterful with polymer clay, bringing a creative edge to everything she does. 

Charles Lewton Brain’s Patination of Metals workshop (Aug 26, 9-5)

Patina is the final touch, the icing on the cake, the surface that sets one apart from the crowd; it can add both depth and texture transforming our metal, often unpredictably, into an unimaginably beautiful thing. On metal, patina refers to a thin coating of various chemical compounds such as oxides or sulfates formed on the surface during exposure to atmospheric elements, a common example is rust or the warm brown color of the penny in your pocket. Charles will present safe, easy patination methods for metals that involve easily obtainable (think kitchen chemicals) to produce a wide range of blues, greens, browns, blacks, greys and reddish tones on most metals including precious. Application methods and control of pattern and surface will be described and addressed as a compositional system.


Advanced Classes

Experienced students can build skills in Stacking Rings with Gemstones (July 23, 10-4), Unique Settings for Stones and Found Objects (September 10-11, 10-5), Advanced Wax Working (September 21,28, October 5,12,19, November 2, 6:30-9:30) or try your hand at enameling on steel:



Enameling on steel with Melissa Cameron

Enameling Recycled Steel (July 16-17, 9-2) with Melissa Cameron. 

Are there bits of magnetic metal in your studio that you’ve tucked away, swearing that one day you’ll clean them up to make a masterpiece? Enameling is a great way to protect jewelry made from mild steel and is so easy to master. Bring your rusty recycled bits and bobs to Danaca Design in Seattle to learn the skills to turn these into beautiful and unique jewels. Some jewelry making and enameling experience helpful.


For full class descriptions, prices, and material lists visit our website: www.danacadesign.com

To register give us a call at 206-524-0916 or stop by our location at

5619 University Way NE, Seattle, WA 98105

Quickies in August

Can’t commit to a multi day class or workshop? Well in August we have several one day classes available. All the fun of our weekend classes just quicker! For more information about our other classes currently being offered go to www.danacadesign.com for a complete listing.


enamel bracelet

enamel bracelet

Low Tech Enameling

Instructor: Allan Thorne

August 7, Friday, 10:00 – 1:00

Using a torch and a few simple tools, students will learn the basics of enameling in this exciting three-hour workshop. Students will explore the potential of this fascinating medium, sample a variety of colors, and work with both flat and three-dimensional forms. This is a great opportunity to learn how to add vibrant color to your copper and fine silver jewelry. Moderate comfort level with a jeweler’s torch is helpful.

Etching WO Acid 2

Etching Metal

Instructor: Jessie Wylie

August 8, Saturday, 9:30-3:30

See an image or pattern come to life in brass and copper through the acid etching process! This technique is excellent for creating exclusive textures on copper and brass sheet which can be cut and incorporated into jewelry, enameled or used as rolling mill templates to emboss precious metals and even paper.  Patterns can be hand drawn directly on the sheet metal or photo transferred. Physical properties of different acids and metals, resist techniques and studio safety will be explored. The end result will yield several etched plates for use in future jewelry/design projects!  Follow up this workshop with Enameling Basics II, our beginning transparent enamels class. This workshop is appropriate for beginners, however experienced jewelry artists may find it very exciting as well.

Bock, bock, bock

Bock, bock, bock

Kiln Fire Enameling Basics II

Instructor: Linnie Kendrick

August 9, Sunday, 10:30-5:00

Refine your basic enameling skills and explore exciting new possibilities by adding transparent enamels, special effects with glass shards and beads, and rubber stamp images to your palette.  More thoroughly investigate how firing time and temperature affect final results and discover the quick beauty of liquid enamels.  Designed to give students more tools and confidence with the process, part two of our Enameling Basics Series is not to be missed.  Students are encouraged to bring their own pre-cut copper shapes, stencils, rubber stamps, and lead free enamels to experiment with in class. Take the etching class the day before and come prepared with shapes cut from your etched copper sheets.   Prerequisite: Kiln Fire Enameling Basics I or equivalent.

Basic BAND

Basic Band Ring

Instructor: Dana Cassara

August 15, Saturday, 10:00 – 4:00

The construction of a basic band ring is simple yet challenging. The ring must fit, be comfortable and of course beautiful! This quick ring class will focus on the construction of a basic fabricated band ring. We will cover measuring, cutting, chasing and embossing for texture, as well as basic soldering and some forming techniques.  Each student will leave class with a simple yet well-made and lovely ring to show off.  No experience necessary.

Stacking rings

Stacking Rings with Gemstones

Instructor: Dana Cassara

August 16, Sunday, 10:00-5:00

Stacking rings are all the rage. They are fun to mix and match and super easy to make! This class will focus on creating your own delicate stacking rings with sparkling gemstones.  Students will learn to size and solder the bands, create and add a simple but very functional tube setting for a round faceted stone, and set the stones!  Everyone will make several rings gaining them the opportunity to practice the process and leave with a finger full of beautiful rings made from brass, sterling silver and gold fill. Very basic metal working skills required.


Image Transfer on Polymer

Instructor: Sarah Wilbanks

August 29, Saturday, 9:30-3:30

If you are interested in incorporating photographs, texture or color into your work, image transfers on polymer clay is a fun and easy solution with infinite possibilities.  Creating clear photographic transfers as well as altering the images to conjure unusual textures and rich color will be demonstrated.  Ideas for incorporating surface embellishments will also be introduced along with a variety of ways to use transfers in your work including cutting, setting and different options for protecting the surface. This class will cover primarily one type of transfer using a transfer paper and Sculpey Premo. Other techniques will be discussed and time permitting students will have the option to try other systems. We will also discuss the equipment needed should you choose to pursue this simple and affordable method in your home studio.   A basic understanding of working with polymer clay is helpful.


Cuttlefish Bone Casting: Beyond Texture

Instructor: Jennifer Stenhouse

August 30, Sunday, 10:30 – 5:00

Cuttlefish bone casting is an ancient means of creating a cast object. If you have tried it before you might be surprised by the versatility that is possible with a few good tricks.  Create rings with stone settings, findings, and finished work without all the equipment needed for lost wax casting. Its low cost and convenience make it great for the small studio and those on a budget. It is fun, fast and affordable!  Until the invention of vulcanized rubber for lost wax, the expert carving of cuttlebone was an excellent way to reproduce designs. Participants will discover the immediacy of casting with cuttlefish bone, the texture it can create, and how to use it to create multiples by making simple models. Demonstrations will include how to create a multiple part mold for the 3-dimensional casting of a ring with a stone setting, links, and an ingot mold for blanks as well as prong, bezel, and tube stone settings. Students may bring any sterling silver scrap to recycle by casting. All levels.


To register for these or any of our other classes either stop by our location or call us at 206-524-0916

Cloisonné Enameling

Cloisonné flower created in class

Cloisonné flower created in class

June 27th and 28th we will be having a class on cloisonné enameling. The vivid color and unique beauty of enameling has been prized for centuries. Cloisonné, with fine lines of precious metal delineating patterns and images, it is appreciated around the world.

But what is cloisonné?

Cloisonné being ground back

Cloisonné being ground back

Cloisonné is a technique for decorating metal that has been around since ancient times. It is achieved by bending very fine wires into a design, multiple layers of enamel are applied and fused in the kiln. Finally the surface is ground and flash-fired. The result is a gemlike image that will last and last.

Finished cloisonné can be set into a necklace, brooch, or any number of jewelry designs.

Finished cloisonné can be set into a necklace, brooch, or any number of jewelry designs.

Come join us at Danaca Design to learn this versatile and beautiful technique. To register for class either call us at 206-524-0916 or stop by our store at 5619 University Way NE, Seattle, WA 98105

Meet Jean Shaffer!

Shaffer-2015-In My Studio1

Jean Shaffer

Jean Shaffer is a new artist in our gallery at Danaca Design and we are happy to have her work! She has some beautiful one of a kind enamel items in our gallery right now and recently I got to ask her about her work and herself as an artist.


How long have you been making jewelry and what got you started?

I started making beaded jewelry in the early 1990s, replicating the trade bead necklaces that my Chinook Indian ancestors wore. I was gifted with a trade bead necklace that had belonged to my cousin’s grandmother, the daughter of Chief Taholah, dating from the 1850s. Later I began rockhounding along Washington and Oregon beaches finding fabulous agates, petrified wood, jade, and more. I wanted to make these treasures into jewelry, so I signed up for a Continuing Education class at North Seattle College in 2002 to learn how to set stones. Dana Cassara was my first instructor. After one class I was hopelessly hooked. I kept taking night classes and workshops for years until I retired from my first career in 2011 and entered the credit program at North Seattle College. I earned my Certificate in Jewelry Design last December.


Shaffer-Danaca-2013-Two Turtles rattle

Two Turtles rattle

What is your background? Is it in art or something else?

As a youth I was drawn to art, especially painting. I used to paint the wild landscapes that I imagined when reading my favorite science fiction novels. But in high school and college I made (what I thought were) more pragmatic choices. I earned B.A. and M.A. degrees in Geography from the University of Washington, and had a lengthy career with local governments as a planner, program evaluator, and program and project manager.   I worked for the cities of Kirkland, Seattle, and Bellevue and Snohomish County.

Even though I enjoyed career success, I felt a growing urge to return to making art. That set me on the path I described above.

Moonlit Sage brooch

Moonlit Sage brooch

Is there anything in particular that you like about jewelry as a medium?

So many things to love about jewelry…. It is portable art that is in intimate contact with the owner. It gains added meaning from how it is acquire and from whom, where and when it is worn. It can become a part of family heritage passed down generations. And jewelry is communication from the maker and the wearer to the outside world wherever it is worn.

Feathered Fringe brooch

Feathered Fringe brooch

What kind of imagery or inspiration do you use? Or, can you tell us about any recurring themes in your work?

I usually seek highly abstract patterns to render in my jewelry. From the natural world it could be plants like cactus, pods, roots, sea creatures, sand dunes, desert playa, waveforms, glacial crevasses, constellations, novae or infinitely more. In the developed world it might be maps, cityscapes, street layouts, or window patterns. Sometimes it just starts with a geometric form that I become obsessed with for a while. My Chinook Indian heritage also influences some of my work such as My Spirit Box and Two Turtles Rattle that are currently on display at the Seattle Metals Guild’s Biennial Exhibition.

I have some favorite jewelry techniques that I come back to regularly. Firstly, I am always on the lookout for unique cabochons such as picture jasper and plume agate that can inspire my designs. Larry Osler and West Coast Mining are my favorite sources of great stones with interesting shapes. Secondly, I love drawing abstract images and transferring them to metal by acid-etching. The etching process creates remarkably precise renderings that can be enhanced in the jewelry fabrication process. Thirdly, I love vitreous enameling, especially on hydraulically pressed metal that gives the pieces form and depth.


Hexagons pendant

Hexagons pendant

Your work mostly features beautiful enamel work. What is it you like about working with enamel?

Enameling is a traditional method of adding a wide range of colors to metal. Enameling techniques date back to antiquity, but are also fresh with contemporary innovation and vision. I like blending colors, adding glass beads and glass frit. The possibilities are limitless. I combine two of my favorite techniques by applying champlevé enameling to acid-etched metal. Some of my pieces at Danaca Studio were made that way.



abstract brooch

What is your favorite type of jewelry to make and why?

I love making brooches more than any other form. To me, they are stand-alone works of art and clothing becomes the matt and frame. Recognizing that brooches don’t work for everybody, I also make a lot of pendants and necklaces. Usually when I make a brooch, I add a hidden loop or bale so it can be worn as a pendant if desired.


Do you have a website or where else can we see your work?

I have a maker profile on the Society of North American Goldsmith’s website that can be found at: http://www.snagmetalsmith.org/members/JeanShaffer


Thanks Jean! We love having your work in our gallery and look forward to watching your jewelry making continue to grow. Want to see more of Jean Shaffer’s work? We have a selection of Jean’s jewelry in our gallery at Danaca Design. We are open Monday – Friday from 11am-6pm and Saturday 10am-6pm

Mother’s Day is May 10th!


Is there a mother in your life you’d like to recognize? She may be your own mother, the mother of your kids, or a friend’s mother who’s special to you?

Our gallery is full of great work right now and we just might have the perfect gift for the mother in your life. 

Use promo code MOMROCKS to get 10% off your gallery gift purchase until May 10th. 

For moms who would rather make than wear, we also have gift certificates which can be used towards any of our classes or tools.

Gift Certificate

The gallery is open Monday-Friday 11-6, and Saturday 10-6. Come visit and see if anything grabs your eye!

5619 University Way NE




Learning More About Harlan Butt


We’re fortunate to have Harlan Butt coming to the studio next month to teach Cloisonné Enameling in the Round. We wanted to share a bit about him with you, so please read on to learn more. 


Harlan will be teaching Cloisonné Enameling in the Round will be on November 8, 9, and 10 from 10am-5pm. We do still have a couple open spaces, so if you’re interested give us a call. 

Now on to Harlan!

96865cacfdabd0ea6522f27a56ad3c16 6a51cee8d8970e4a0d25a06e3d3e1450

Harlan W. Butt is an artist working in metal and enamel who specializes in vessel making. Many of his vessels feature cloisonné patterns inspired by the natural environment. Harlan is a Regents Professor of Art at the University of North Texas where he has taught since 1976. He is past President of the Enamelist Society, past President of the Society of North American Goldsmiths and a Fellow of the American Crafts Council. His work has been exhibited internationally and is represented in the permanent collections of the Boston Museum of Fine Arts, the Renwick Gallery of the Smithsonian Institute, the Museum of Art & Design in New York City, the Mint Museum of Art & Craft in Charlotte, NC, the National Ornamental Metal Museum in Memphis, the Wichita Center for the Arts in Kansas, the National Gallery of Australia, the Cloisonné Enamelware Fureai Museum in Ama City, Japan, the Glass Furnace in Istanbul, Turkey and the Victoria and Albert Museum in London.

 19d48bbb42438f6dca73daaf713c05cc fe38193aa82b9c6c8c5f317dda6190e6 b4437041f4bdd96c9526e3e9bced4c03

What got you into teaching jewelry making/ metals?

As a graduate student I was a Teaching Fellow and taught a beginning class. I liked sharing what I knew with students. After grad school I applied for teaching jobs but didn’t receive an offer for one for about a year and a half, at San Diego State University in 1975. I’ve been teaching since then.


Can you tell us about any memorable teachers from your past who influence what you’re doing today, as an instructor or as an artist?

I have to give credit to my forth grade teacher Ms. Newell, who helped me have confidence in myself and my high school art teacher Mr. Steitzin, who encouraged me to develop what talent he thought I had. Professor Stanley Lechtzin at Tyler School of Art gave me a great foundation in technique and the desire to be the best I could be. Brent Kington at Southern Illinois University was the ideal example of an artist/metalsmith who was passionate about his work and who cared about his students.


Aside from the skills outlined in your class, what do you hope to bring to your students?

I hope to express passion I have for what I do and how I think it can give your life meaning and purpose. I believe technique and craftsmanship are the vehicles we use to express ourselves as artists. You can’t do it without them but they are the means not the ends.


Your artwork often appears rooted in inspiration from the natural world, has it always been this way? When did this passion begin?

I have had an interest in knowing about and understanding nature, both as real phenomena and as metaphor for what and who we are since I was a child. It has been the subject of my work as an artist since the beginning.

 149d90fc315d323a3454a8c85976b393 879af4fd59c2e267da22223d8d392ce0
4bafa1ebf1104463f208a47485ac286c 4f382b9e8ec0f61a5a7e945d3e4693c8

In what kind of environment do you work best?

Until recently I would have said that I work best alone in my studio. But in the past few years I have had students working with me in my studio a few days each week. This has been rewarding for me and I have learned a lot from them.


Many of your pieces employ cloisonné enameling technique, what makes this technique one of your favorites?

I have produced over 450 pieces and many of them do not employ cloisonné, in fact many early pieces had no enamel. Its true that most of my work since about 1985 includes some cloisonné. The technique allows me to draw with lines and to create patterns with hard edges, unlike some of the other enameling processes. But I have also used champlevé, basse taille, stencil, silk screen, ceramic pencils and painting enamels on my work.


If you could only embark one piece of information to your students that they will remember for the rest of their lives, what would that advice be?

Wow! I’m not a sage and I don’t know if anything I could say would be that memorable, especially for someone’s entire life. I’ve found that different information and various knowledge can have a critical impact on someone at the time a person is ready for it and not be so significant at other times. But to believe in yourself, to be disciplined but open, to avoid attachments that are unimportant or unhealthy and to pursue a passion in something and not let anyone or anytime keep you from doing it. That’s about the best I can come up with.


Besides cloisonné, what is your favorite technique to teach?


0a2947bf301dbb30edf60cf6fdfea2fd e892ff42aecf766c16447a538c4e90a0

Thank you Harlan! 

We’re really looking forward to having him in the studio next month. If you’d like to register for Cloisonné Enameling in the Round give us a call at 206-524-0916. We’re here Tues-Fri 11-6, and Saturday 10-6.


You can see more of Harlan’s work on his website: http://harlanwbutt.com





Next page →