You have your date, made dinner reservations, now there is just one last item to prepare for the perfect Valentine’s day…the perfect gift! Luckily we have you covered: jewelry, tools, and gift certificates for classes…we have great ideas no matter what your sweetie loves.
Rings make a wonderful gift and we have a wide selection from traditional bands to one of a kind designs. How do you figure out a ring size for a gift without asking and spoiling the surprise? If you can sneak and get one of your sweeties rings trace both the inside and outside diameter of the ring on a piece of paper. Bring the ring tracing with you when you shop and we can help you figure out the size.
But if rings aren’t what you are looking for we have a wide selection of necklaces, bracelets, and earrings too!
But what if your sweetie isn’t as interested in getting jewelry as much as making jewelry? We offer beginner and intermediate jewelry classes such as our popular Beginning Intro: Rings and Stacking Rings With Gemstones classes. Our next Beginning Intro Rings class will be coming up in spring quarter, May 14-15, but we still have space available in our Stacking Rings with Gemstones class on March 26.
To see the rest of our class schedule go to www.danacadesign.com and to register either stop by or call us at 206-524-0916
Still not sure? We offer gift certificates in all denominations that can be used on any jewelry, classes, or supplies. Perfect!
Danaca Design is a jewelry and small-scale metal working facility located in the University District of Seattle. We offer a wide range of classes for individuals seeking to gain skill in the art of decorative metal work and jewelry making.
Find us at 5619 University Way NE, Seattle 98105
or online at www.danacadesign.com
Is there a mother in your life you’d like to recognize? She may be your own mother, the mother of your kids, or a friend’s mother who’s special to you?
Our gallery is full of great work right now and we just might have the perfect gift for the mother in your life.
Use promo code MOMROCKS to get 10% off your gallery gift purchase until May 10th.
For moms who would rather make than wear, we also have gift certificates which can be used towards any of our classes or tools.
The gallery is open Monday-Friday 11-6, and Saturday 10-6. Come visit and see if anything grabs your eye!
5619 University Way NE
Tory Herford is a regular part of the community here at Danaca Design. As a studio member she’s here working at the bench every week, and sells some of her jewelry in our gallery.
We want to know more (and share with you!) about the artists behind the work in our gallery. So to continue this blog series we asked Tory if she’d answer some questions for us.
How long have you been making Jewelry?
I’ve been tinkering around with it since about age 13. While my family were great lovers of art, none were visual artists or especially crafty. When I was about 20, I was asking around about family history and discovered that one Great Grandfather was a blacksmith/architectural iron craftsman. We still have some things that he made in the family! My Great, Great Grandfather was a goldsmith and watchmaker. So, that explained my odd (to my family) obsession with metal and tools. I guess genes do pass down! I can really feel the ancestors speaking up on occasion. Its kind of spooky actually- sometimes I just know what some random tool will be good for when I’ve never seen or used it before (not to be confused with using the tool correctly or as intended, but it works!). The Ancestors didn’t know everything of course, so still plenty to learn!
What’s your background? Is it in art, or something else?
I’ve always been an “arty” person. I studied Fine Arts at Cornish and consider myself a “Reformed Printmaker”. While it was a good experience, I was just out of high school and I think I was really too young to be there. Fine Arts was probably not the best fit for me, and I drifted to Pratt on and off for various classes of interest- all of which involved metal. Being free from academic “programs” and allowed to study what I was directly curious about was really huge. I’m a big evangelist for non-traditional educational models like Danaca and Pratt.
I also sculpt and do Black & White photography. I’ll do one thing for a few years, and then discover another and do that for a while. Nothing is ever fully abandoned. I’ve been at it long enough now that I notice how one discipline informs or influences the other. The tonal contrasts from photography often influence texture and patina in my jewelry. Sculpting completely came out of nowhere, emerging quite suddenly about 10 years back. Working 3-D was something of an explosion and confetti pretty much came out of my head! Being responsible for that much surface area and how the light slid over it was quite a revelation. In spite of my related experience, this was metalsmithing “boot camp”. Both my design and metalworking skills leapt forward. And then back to my jewelry, which is sometimes sculptural and sometimes about line. Its all a big circle.
I’ve had various ongoing day jobs, which contributed to my house mortgage but not my artistic growth. We all know how that goes….
Is there anything in particular that you like about jewelry as a medium?
Modern society and weather require us to wear clothes, but jewelry is optional. There is something both primal and intimate in the choosing of an ornament, -we wear it as much for ourselves as we do for others. As a maker, I express my creativity in designing work, but I also get to participate in someone else expressing their individuality when they wear one of my pieces. There is a lovely continuity and connection in that. We can all enjoy a beautiful painting on the wall, but it’s not the same experience or exchange.
What are your favorite materials to work with, and why?
I’ve mostly worked in silver and bronze- they are like butter and a joy to create with. I’ve tried some gold here and there but it literally didn’t want to work with me at all! I need more advice on how to come to harmony with it. I’ve recently dipped a toe in lapidary work, and it’s all I can do to not fully veer off in that direction! Commercial stones are getting much less inspiring to work with. And again- sculpting and line want to assert themselves.
I find that jewelers tend to have one part of the process they love best, for some it’s sawing, for others it’s soldering. Do you have a favorite part of the jewelry process?
I like finish work/polishing the best. This is where the piece wakes up and fully comes to life.
What kind of imagery or inspiration do you use? Or, can you tell us about any recurring themes in your work?
I’m a huge fan of antique Japanese decorative items. There is almost nothing more beautiful to me than their aesthetic. And the craftsmanship-OMG. Much of my work features references to nature and is meant to give the viewer a moment of tranquility or meditation. I also love Modernist/Scandinavian jewelry from the 1940’s-1960’s. These items often have great vitality, and a fantastic quality of line that is almost calligraphic. Its very playful and dynamic.
We have a variety of Tory’s jewelry here in the gallery. And if you like those twin stone rings up there near the top of this post, we usually have a selection of those to choose from. Stop in to see what Tory’s been making lately. We’re here Tues-Fri 10-6, Sat 11-6.