This coming March Danaca Design will be hosting a show featuring tiaras and crowns in many forms called Crowning Glory: Ruling Our Own Destinies, Directing Our Own Paths. While the artists will be exploring the diverse cultural, artistic, historic, and social narratives of these accessories April decided to look into the history of these royal accessories to use as a post on the Danaca Design blog. It turned out to be a fascinating subject so instead of making one post she turned it into a four part series being posted every Monday in February leading up to our show opening and reception on Friday, March 2, 6-8:30pm. This week part 1 is focused on the ancient history of tiaras and crowns.
Tiaras, crowns, these head ornaments have been used for centuries to symbolize social superiority and power, have a history going back to ancient Egypt and Greece. Originally these head pieces were called a “diadem” derived from the Ancient Greek “dia dein” meaning “to bind around”. The ancient Egyptian pharaohs would wear gold head-bands that could be decorated with tassels and other ornaments that hung over the forehead, temple, or even down to the shoulders.
An excellent example of this is the diadem discovered in the tomb of Tutankhamun, King of Egypt in ca. 1339-1329 b.c.e. (pictured above) Discovered during the excavation of his tomb in 1922 the kings mummy was adorned with a gold diadem formed in a circlet, at the front a detachable gold ornament with the head of a vulture and the body of a cobra, symbolizing the unification of Lower and Upper Egypt. It is also inlaid with glass, obsidian, carnelian, malachite, chalcedony, and lapis lazuli.
In Ancient Greece diadems were made from all kinds of metal, and with a limited amount of gold available, Greek metalsmiths would decorate them with embossed rosettes, filigree, and other motifs such as the Heracles knot which was found frequently in Hellenistic jewelry. Once Alexander the Great opened up the gold supply from the Persian Empire in 331 B.C.E. the styles became even more elaborate and often contained intricate garlands of tassles, leaves, and flowers.
The shift from diadems as just a circular band to what we now consider tiaras and crowns today is attributed to Ancient Persia, now Iran. The original term “tiara” is Persian in origin and in its original form describes the high peaked head decoration worn by Persian kings. However in ancient Persia crowns were worn in many forms and ancient authors did not always distinguish clearly among the various terms for them, making the most reliable evidence for forms of Persian crowns/tiaras are the depictions on objects such as monuments and coins.
Kings from the Achaemenid period wore tall and serrated golden crowns, called a crenelated crown, which was adorned with gold leaves and colorful jewels. The 22 or 24 serrations of the crown symbolized towers, battlements, temples, or the Sun. The Achaemenid queen wore a jeweled crown with a thin piece of cloth reaching her knees attached. Based on historical documents it seems that the only difference between the King and Queen’s head wear was the thin cloth.
However it was not just the royal Persians that wore head covers to denote status in society. From writings by the ancient Greeks it appears that a tiara was a soft headdress often with a high point and members of the Median upper class wore these high, crested tiaras. Median civilians and officers covered their heads with round and soft egg-shaped felt caps which were decorated with lace. Ancient reliefs depict archers with these caps and a crenelated diadem worn over them. Upper class Achaemenid women wore long headscarves some reaching down to their ankles. This shawl-like headdress was not wrapped under the neck but was usually worn with a diadem on top very similar to many popular bridal veil styles worn today.
Well that wraps up part 1 of this 4 part series. Honestly it is really hard to figure out when to stop because their is just so much fascinating history but if you want to check out more really cool pictures of ancient diadem, crowns, and more I suggest going to The Metropolitan Museum’s website at www.metmuseum.org where you can browse their entire collection online.
Check back next Monday to find out about the crowns and tiaras of south and east Asia…I can’t wait.
Greek diadem: Staatliche Antikensammlungen, Munich via http://metmuseum.org Metropolitan Museum of Art
Achaemenid Seal: The Met, https://www.metmuseum.org/art/collection/search/323560?sortBy=Relevance&ft=achaemenid&offset=20&rpp=20&pos=29
Coin with Tigranes: https://commons.wikimedia.org/wiki/File:Tigran_Mets.jpg; Author unknown
Is there a mother in your life you’d like to recognize? She may be your own mother, the mother of your kids, or a friend’s mother who’s special to you?
Our gallery is full of great work right now and we just might have the perfect gift for the mother in your life.
Use promo code MOMROCKS to get 10% off your gallery gift purchase until May 10th.
For moms who would rather make than wear, we also have gift certificates which can be used towards any of our classes or tools.
The gallery is open Monday-Friday 11-6, and Saturday 10-6. Come visit and see if anything grabs your eye!
5619 University Way NE
In our gallery we have some work from artist Carolina Andersson. The work is a lovely black and gold, and I get a lot of questions about how she achieves this look. The gold comes from a technique called Keum-Boo, and can be used on a variety of surfaces including PMC, steel, and chasing and repousse work in copper or fine silver. Keum-Boo can be done with sterling silver pieces as well, after the surface has gone through the process of depletion silvering. You can read a little about that on Gina Pankowski’s website. At the end of April you can learn how to bring a little gold into your own work with our class Keum-Boo: Surface Treatment with Gold.
Keum-Boo: Surface Treatment with Gold
Instructor: Suz O’Dell
April 28, Monday night, 6:30 – 9:30
Class Fee: $65 | $35 payable to instructor
Add the luster of gold to your silver fabrications with very little expense. In the ancient Korean technique of keum-boo (pronounced kum-boo, meaning “attached gold”) pure gold foil is bonded to the surface of another pure metal such as the fine silver of PMC. This produces a rich gold color, while using very little gold. In this workshop students will make a pair of PMC+ earrings and learn to apply 24K gold foil to them. The result can be dramatic with rich color and texture. This is also a great technique to inexpensively add gold to metals like silver, copper and iron for a beautiful mixed metal look. Students may bring finished PMC pieces to class for applying the Keum-boo process (mostly flat surfaces, no hollow forms). No experience necessary.
Sign up for this class by calling Danaca Design at 206-524-0916, Tue-Fri 11-6, Sat 16-6!