This coming March Danaca Design will be hosting a show featuring tiaras and crowns in many forms called Crowning Glory: Ruling Our Own Destinies, Directing Our Own Paths. While the artists will be exploring the diverse cultural, artistic, historic, and social narratives of these accessories April decided to look into the history of these royal accessories to use as a post on the Danaca Design blog. It turned out to be a fascinating subject so instead of making one post she turned it into a four part series being posted every Monday in February leading up to our show opening and reception on Friday, March 2, 6-8:30pm. This week part 1 is focused on the ancient history of tiaras and crowns.
Tiaras, crowns, these head ornaments have been used for centuries to symbolize social superiority and power, have a history going back to ancient Egypt and Greece. Originally these head pieces were called a “diadem” derived from the Ancient Greek “dia dein” meaning “to bind around”. The ancient Egyptian pharaohs would wear gold head-bands that could be decorated with tassels and other ornaments that hung over the forehead, temple, or even down to the shoulders.
An excellent example of this is the diadem discovered in the tomb of Tutankhamun, King of Egypt in ca. 1339-1329 b.c.e. (pictured above) Discovered during the excavation of his tomb in 1922 the kings mummy was adorned with a gold diadem formed in a circlet, at the front a detachable gold ornament with the head of a vulture and the body of a cobra, symbolizing the unification of Lower and Upper Egypt. It is also inlaid with glass, obsidian, carnelian, malachite, chalcedony, and lapis lazuli.
In Ancient Greece diadems were made from all kinds of metal, and with a limited amount of gold available, Greek metalsmiths would decorate them with embossed rosettes, filigree, and other motifs such as the Heracles knot which was found frequently in Hellenistic jewelry. Once Alexander the Great opened up the gold supply from the Persian Empire in 331 B.C.E. the styles became even more elaborate and often contained intricate garlands of tassles, leaves, and flowers.
The shift from diadems as just a circular band to what we now consider tiaras and crowns today is attributed to Ancient Persia, now Iran. The original term “tiara” is Persian in origin and in its original form describes the high peaked head decoration worn by Persian kings. However in ancient Persia crowns were worn in many forms and ancient authors did not always distinguish clearly among the various terms for them, making the most reliable evidence for forms of Persian crowns/tiaras are the depictions on objects such as monuments and coins.
Kings from the Achaemenid period wore tall and serrated golden crowns, called a crenelated crown, which was adorned with gold leaves and colorful jewels. The 22 or 24 serrations of the crown symbolized towers, battlements, temples, or the Sun. The Achaemenid queen wore a jeweled crown with a thin piece of cloth reaching her knees attached. Based on historical documents it seems that the only difference between the King and Queen’s head wear was the thin cloth.
However it was not just the royal Persians that wore head covers to denote status in society. From writings by the ancient Greeks it appears that a tiara was a soft headdress often with a high point and members of the Median upper class wore these high, crested tiaras. Median civilians and officers covered their heads with round and soft egg-shaped felt caps which were decorated with lace. Ancient reliefs depict archers with these caps and a crenelated diadem worn over them. Upper class Achaemenid women wore long headscarves some reaching down to their ankles. This shawl-like headdress was not wrapped under the neck but was usually worn with a diadem on top very similar to many popular bridal veil styles worn today.
Well that wraps up part 1 of this 4 part series. Honestly it is really hard to figure out when to stop because their is just so much fascinating history but if you want to check out more really cool pictures of ancient diadem, crowns, and more I suggest going to The Metropolitan Museum’s website at www.metmuseum.org where you can browse their entire collection online.
Check back next Monday to find out about the crowns and tiaras of south and east Asia…I can’t wait.
Greek diadem: Staatliche Antikensammlungen, Munich via http://metmuseum.org Metropolitan Museum of Art
Achaemenid Seal: The Met, https://www.metmuseum.org/art/collection/search/323560?sortBy=Relevance&ft=achaemenid&offset=20&rpp=20&pos=29
Coin with Tigranes: https://commons.wikimedia.org/wiki/File:Tigran_Mets.jpg; Author unknown
Summer is here and before you get too busy making vacation plans don’t forget to schedule some summer classes too. Play for a day in a one day “quickie” or spend a whole week in an immersion class. We also have kid jewelry camps too! Here is what is coming up in July but check out our full schedule online here
Featured Classes in July:
Jewelry Summer Camp for Kids 8-12
July 17-21, Monday-Friday, 9:00am-2:00pm,
Class Fee: $300
Looking for a fun and artistic activity for your 3rd-6th grader this summer? Have them come spend a week making jewelry with us. These week long camps teach cool jewelry making techniques such as bead making, creative wire-working, metal texturing, stamping, and basic riveting! No experience necessary and return students welcome.
Total Immersion: Beginning Jewelry Making
July 24-28, Monday-Friday, 10:00-5:00
Class Fee: $595|Basic materials included
Come spend a week taking a jewelry vacation! This class is all three of our beginning series workshops rolled into one. Each day you’ll go home dreaming about what to create the next day. Absolutely no experience needed.
One Day “Quickie” Classes:
Kiln Fire Enameling Basics I
July 8, Saturday, 10:30-5:00pm
Class Fee: $145|Basic materials included
Get a taste for the timeless beauty of colored glass on metal. Students will learn how to properly apply richly colored opaque enamels onto flat and domed sheet metal by both sifting and wet-laying. No experience necessary.
July 9, Sunday 10:00-4:00pm
Class Fee: $95|Basic materials included
Whether you’ve had a soldering class, attempted to learn from a book, or never even tried, if you are looking to learn how to silver-solder or just get better at it, this class is for you. Expect lots of hands-on time at the soldering table and practice with different torches. No experience necessary.
Summer Don’t Miss Classes:
Low Tech Gravity Casting
July 12, 19, 26, Wed Evening, 6:30-9:00pm
Class Fee:$295|Basic materials included
Learn the fundamentals of casting by exploring the ancient technique of pouring molten metal directly into molds carved or formed from sand, soft stone, and other surprising materials. This process does not require any major equipment so it is easily reproduced in a home studio or in your back yard! No experience necessary.
Fantastic Fold Forming!
July 22-23, Saturday and Sunday, 10:30-5:00
Class Fee:$265|Basic materials included
Fold forming is an exciting technique wherein sheet metal is manipulated and hammered to create fabulously textured, 3-dimensional, organic forms. This is a quick porcess, so students will have the opportunity to create a variety of basic forms in this quick workshop. All levels.
Bronze Precious Metal Clay Basics
July 29-30, Saturday, 10:00-4:00pm
Class Fee: $95|Materials kit $30 payed to instructor
Striking jewelry can be made easily and inexpensively with Bronze Precious Metal Clay, bronze clay that when fired in a kiln results in pure metal! This workshop will focus on the basics of working with PMC Bronze however students might also explore components for earring and pendants. No experience necessary however intermediate level students encouraged.