Just Hot Enough: Mixed Metal Surfaces with Keith Lewis
November 11 – 13, Friday – Sunday, 10:00 – 5:00
Class Fee: $480 | Some materials included
Numerous beautiful and complex mixed-metal patterns and compositions can be created both by soldering and by exploiting the different melting points of common jewelry metals. In this workshop we will explore various ways of combining metals to create rich effects through experimentation with soldering, fusion and inlay, further enhanced by rolling and roll-printing and the application of a series of simple patinas that enhance the contrast between metals. Beginning Series or equivalent required. More details at www.danacadesign.com
This weekend Keith Lewis is back at Danaca Design to teach us all about creating mixed metal patterns and compositions. You know all those scraps of different metals you have laying around? Or would you like to start adding some gold to your work but you can only afford a tiny, tiny bit? This class is about how to use those small bits of metals to create new “yardage” of mixed metals that you can use in your jewelry work.
Want to know more? Well we asked Keith Lewis himself to tell us a bit more about what to expect this weekend and here is what he has to say:
How do you use mixed metal surfaces in your work or how might I?
In the past I have used these techniques to make more production-oriented work, as they generate lively, visually arresting patterns at relatively low expense. For instance, with these techniques you can get a lot of bang from a very small amount of gold.
That said, the resultant patterned sheet is often a bit difficult to solder, so one of the exciting challenges is to devise ways to incorporate it into work using cold connections. I’m hoping on Sunday, after folks have generated some “yardage” we will be able to brainstorm about some ways to do so, particularly in the form of simple, elegant pendants and earrings
What is most exciting about the process you will teach this coming weekend?
For me there are two things. First; these are techniques that grow from and help elucidate some of the intrinsic qualities of metal- particularly different melting characteristics and malleabilities. I find that I understand metal better from having experimented with these techniques.
Secondly, these techniques permit the kind of playfulness and spontaneity that is hard to come by in metalsmithing. There are a lot of pleasant surprises and intriguing puzzles that arise from this approach.
Is there a history of mixed metal surfaces in metalworking? Can you tell me a little about it?
Yes, there certainly is. The mot obvious reference point is Japanese mokume-gane and some of what I’m covering might be called “faux-mokume”. There is also the long history of marriage-of-metal within Western and Asian metals traditions and periodic uses of cold-inlay techniques in everything from Japanese metalwork to Indian Mughal work (as well as Western armor-work.) Another reference- of course- is the diffusion bonding of materials in damascening, Sheffield plate, “gold-filled” jewelry and bimetal such as those made by Phil Baldwin.
Thanks Keith for answering our questions. We can’t wait to see what you have in store for us this weekend!
If you would like to register for this or any other of our classes you can either call us to register by phone: 206-
or stop by our studio at 5619 University Way NE, Seattle WA