Tag Archives: stone setting


Fall Schedule Sneak Peek

Happy Fall! It’s finally cooler and the rain is coming back…which is a perfect time to take a class. Here’s a sample of what is in store for fall but visit www.danacadesign.com for our complete schedule, expanded class descriptions, and materials list.

To register stop by our studio at 5619 University Way NE, Seattle or call us at 206-524-0916

Guest Instructor: Jeff Georantes

Start with scrap metal and end up with a ring…how cool

Fire, Forge, and Flush-Stonesetting

December 1-3, $395|$35 materials fee paid to instructor

Jeff Georantes is coming from Hanover, New Hampshire to explore a variety of core metalsmithing skills that culminate in a finished silver ring set with faceted stones. Class will begin with casting and end with polishing and in between you will roll, hammer, and set stones. This class will be filled with tips and tricks and is open to all skill levels. No experience necessary!

Featured Classes

We don’t have this classes very often…so best to get them while you can!

Cloisonne Enameling

with Linnie Kendrick

October 21-22, $295|Basic materials included

The vivid color and unique beauty of enamel has been prized for centuries. The beauty of Cloisonne, with it’s fine lines of precious metal combined with the rich color of enamel to create patterns and images. This is a beginner level class, no experience necessary however basic enameling helpful

Jewelry Making Basics with Wire

with Jennifer Stenhouse

November 4-5, |Basic materials included

Learn the essentials of soldering and making jewelry with wire – a perfect class to create gifts for family and friends, or even start a little business. The techniques covered in class can be continued at home with a simple setup. No experience necessary

Needle Felting Forms for Jewelry

with Cynthia Toops

December 16-17, $285|$30 materials fee paid to instructor

Spend a relaxing and inspiring weekend learning to shape a ball of soft wool into amazing 3-dimensional objects. You might poke your finger a few times but you will have lots of fun discovering this new medium. No experience necessary

Fall Quickies

Can’t commit to a whole weekend? These one day “quickies” pack a lot into one class

Soldering Essential

with Dana Cassara

October 27, $95|Basic materials included

Whether you’ve already started soldering or never even tried, if you are looking to learn how to silver solder, or just get better, this class is for you. Expect lots of hands on time at the soldering table and practice with different torches. No experience necessary

Riveting Basics

with Dana Cassara

November 17, $95|Basic material included

Don’t have a torch at home? Don’t worry you can still make jewelry! Riveting is a fun and simple way to connect metal to metal or metal to non-metal. A new world opens up once you take away the heat. This is a fast paced class focused on designing, problem solving, practicing, and producing work without soldering. No experience necessary

Using the Smith Little Torch

with Micki Lippe

December 9, $95| Materials list

There are several torch options on the market but a popular choice among jewelers is the Smith “little torch”. Micki Lippe, a seasoned professional, will show you why as she demonstrates the versatility and precision of this well loved tool. Basic soldering experience required

 

 

Classes for Newbies

New to metalsmithing and don’t know where to start? These classes are great for those with no experience or those who want to sharpen their skills.

Beginning Jewelry Series: Introduction

with Dana Cassara

October 7-8, $295|Basic materials included

This workshop is an introduction to the fundamental aspects of silversmithing. Explore jewelry design wile learning all the valuable basics: to saw, file, texture, form, and solder nonferrous metals like copper, brass, and silver. No experience necessary

Beginning Jewelry Series: Rings

with Dana Cassara

November 11-12, $295|Basic materials included

Another class in our Beginning Workshop series focuses on the basic construction of fabricated rings, with and without stones. Each student will construct a simple, textured band ring as well as a ring with a bezel set stone. No experience necessary

Basic Bead and Wire Jewelry

with Dana Cassara

December 15, $75|Basic materials included

Learn the simple tricks to cold working wire to create linkage systems for earrings, necklaces, ear wires, and clasps. This class will give you the basic skills to start making jewelry for yourself or even as gifts. No experience necessary

Gem Show at Danaca Design

img_0713

Thursday, January 12, 5-8pm 

Greg Bracati of Custom Faceting will be at Danaca Design!

img_0709

Looking for some new sparkle to add to your jewelry? Greg brings a wide variety of top quality semiprecious and precious gemstones (faceted and not) for all your jeweler needs. Don’t miss out on a great opportunity to get some new stones for 2017! 

 

img_0712

Summer Class Highlights

Summer is here and so is the new summer schedule at Danaca Design! We’ve got a full spectrum of classes on the schedule this summer with something for beginners to more advanced students. You can even turn your kids on to metal in our Jewelry Summer Camp for Kids (July 18-22, 9-2)! Here are just a few highlights on our summer schedule but stop by our website to find out more details on all of our classes: www.danacadesign.com

Beginner Classes

Real beginners might consider learning to make a Basic Band Ring (July 9, 10-4) or Rivets (August 20, 10-4). Or if you really want to dive in spend a week learning the fundamentals of metalsmithing in our Total Immersion: Beginning Jewelry Making class:

 

BEGI 2009 Summer Intensive Kristi

Pendant made in Summer Intensive by Kristi

Total Immersion: Beginning Jewelry Making (July 11-15, 10:30-5)

The Total Immersion: Beginning Jewelry Making is the equivalent to taking all three of our Beginning Jewelry Making series workshops. Learn the fundamentals of working with precious metal: sawing, disc cutting and dapping, hammer texturing, roll printing, basic forming and finishing, as well as bezel setting stones. In this beginning silversmithing class students will make individualized jewelry pieces including a pin, pendent, ring and a simple linked project. Each night you’ll go home dreaming of what to create the next day, designing in your sleep. This class is an ideal opportunity to explore a range of techniques, in a condensed time, while creating several projects.

 

Beginning and Intermediate Classes

Beginning and intermediate students can pick-up new skills like Gravity Casting (August 3 & 10, 6:30-9), Anticlastic Forming (July 29-31, 10:30-5), Filigree (September 18-19, 10:30-5) or Chasing and Repousse with Nancy Megan Corwin (August 5-7, 10-5). Or explore new processes such as:

Flora II by Cynthia Toop

Flora II by Cynthia Toop

Cynthia Toops’ Seven Bead Bracelet (September 24-25, 10:00-5)

Explore the wide variety of possibilities in polymer clay for jewelry while focusing on seven unusual beads for a comprehensive sampler bracelet. In this intensive weekend workshop students will investigate various bead shapes, explore hollow and foil cores, surface decoration with simple and complex canes, as well as carving, drawing, onlay, mokumegane and mosaic work. Cynthia is masterful with polymer clay, bringing a creative edge to everything she does. 

Charles Lewton Brain’s Patination of Metals workshop (Aug 26, 9-5)

Patina is the final touch, the icing on the cake, the surface that sets one apart from the crowd; it can add both depth and texture transforming our metal, often unpredictably, into an unimaginably beautiful thing. On metal, patina refers to a thin coating of various chemical compounds such as oxides or sulfates formed on the surface during exposure to atmospheric elements, a common example is rust or the warm brown color of the penny in your pocket. Charles will present safe, easy patination methods for metals that involve easily obtainable (think kitchen chemicals) to produce a wide range of blues, greens, browns, blacks, greys and reddish tones on most metals including precious. Application methods and control of pattern and surface will be described and addressed as a compositional system.

 

Advanced Classes

Experienced students can build skills in Stacking Rings with Gemstones (July 23, 10-4), Unique Settings for Stones and Found Objects (September 10-11, 10-5), Advanced Wax Working (September 21,28, October 5,12,19, November 2, 6:30-9:30) or try your hand at enameling on steel:

 

ESTL_1

Enameling on steel with Melissa Cameron

Enameling Recycled Steel (July 16-17, 9-2) with Melissa Cameron. 

Are there bits of magnetic metal in your studio that you’ve tucked away, swearing that one day you’ll clean them up to make a masterpiece? Enameling is a great way to protect jewelry made from mild steel and is so easy to master. Bring your rusty recycled bits and bobs to Danaca Design in Seattle to learn the skills to turn these into beautiful and unique jewels. Some jewelry making and enameling experience helpful.

 

For full class descriptions, prices, and material lists visit our website: www.danacadesign.com

To register give us a call at 206-524-0916 or stop by our location at

5619 University Way NE, Seattle, WA 98105

Pointed Stone Setting

Lots of pointed stones by Kirk Lang

Lots of pointed stones by Kirk Lang

Have you been setting lots of round stones and want to try something different in your designs? Found the perfect pear shaped stone but to nervous to try setting it yet? Shed your apprehension and learn to set challenging shaped stones in this comprehensive, hands-on weekend with master stone-setter Kirk Lang. Saturday and Sunday, November 7th and 8th is our Pointed Stone Setting: Theory and Applications Part II class. A follow up to our Faceted Stone Setting Theory and Applications: Part I in this intermediate class you will learn to confidently set faceted stones with pointed corners. 

bracelet_image_2

Bracelet by Kirk Lang in progress

Three types of settings will be covered including prong, flush, and bezel. Three stone cuts will be presented: pear, triangle, and princess cut. 

Students will learn the theory behind stone setting, gemstone characteristics, and how to make tools for stone setting. 

The class is made up of both demonstrations by Kirk Lang and time to practice setting stones in class. 

If you have been wanting to advance your stone setting skills this is the class to take!

 

Interested in registering? Call to register by phone: 206-524-0916 or stop by our location to register in person: 5619 University Way NE, Seattle 98105

For more information on this and all of our classes go to www.danacadesign.com

Fall 2015 Class Highlights

The weather has gotten cooler, the pumpkin lattes are flowing…it must be fall. Which means new fall classes at Danaca Design! Our full schedule will be arriving on our website any day but in the meantime here are just some of the classes that are available for registration right now:

 

Lots of pointed stones by Kirk Lang

Lots of pointed stones by Kirk Lang

Pointed Stone Setting: Theory and Applications Part II
Instructor: Kirk Lang
November 7 and 8, Saturday and Sunday, 10:00 – 5:00
Class Fee: $295|Some materials included;materials list
Shed your apprehension and learn to set challenging shaped stones in this comprehensive, hands-on weekend with master stone-setter Kirk Lang. Building off, Faceted Stone Setting Theory and Applications: Part I, this more advanced level workshop will instruct students in how to confidently set faceted stones with pointed corners. Prerequisites: Basic jewelry fabrication skills and Theory and Application Part I or equivalent.

 

Chasing and Repoussé brooch by Megan Corwin

Chasing and Repoussé brooch by Megan Corwin

Chasing and Repousse: A Modern Approach with a Traditional Base
Instructor: Megan Corwin
November 13 – 15, Friday-Sunday, 10:00 – 5:00
Class Fee: $450|$10 Materials Fee Payable to Instructor

This is a process oriented beginning class in which students will not only learn to use the tools for chasing and repoussé but will experiment with the extraordinary effects of these tools on sheet copper. Traditional lining and punching will be covered as well as refining techniques and everyone will have the opportunity to make one chasing tool. No experience necessary however returning students welcome.

 

Student using a smith little torch

Student using a smith little torch

Using the Smith Little Torch
Instructor: Micki Lippe
December 5, Saturday, 10:00 – 4:00
Class Fee: $95|Materials list

While there are several torch options, one of the most popular among bench jewelers is a mixed fuel, oxy-propane, and one of the best is the Smith “little-torch”. Micki Lippe, a seasoned professional, will show you why as she demonstrates the versatility and precision of this well-loved tool. Basic soldering experience required. 

 

The flexshaft, one of the most versatile tools at your bench.

The flexshaft: learn it and love it.

It Ain’t Just a Drill: Getting the Most From Your Flexible Shaft
Instructor: Andy Cooperman
December 19, Saturday, 10:00 – 5:00
Class Fee: $135|Tool kits available

So, you’re a jeweler or metalsmith about to be stranded on a desert island. You can bring only one tool. (Oh yeah, the island has electricity). What tool do you bring?
If you were Andy Cooperman you’d most likely bring your Flexible Shaft machine. It may be the most versatile tool at the bench. And yet for many makers it is the most underutilized and least understood. All levels.

 

Want to sign up for one of these great classes?

Call us at 206-524-0916 or stop by to register in person 5619 University Way NE, Seattle 98105 

Monday-Friday 11am-6pm & Sat 10am-6pm

And don’t forget to keep an eye on our website www.danacadesign.com for our complete fall schedule coming soon!

Books for Every Metalsmith

Every now and again someone will ask which books we recommend to help the new metalsmith continue their education and be a good reference at the bench. These are the top four books that every metalsmith should own. 

They Complete Metalsmith Student Ed. by Tim McCreight

The Complete Metalsmith Student Ed. by Tim McCreight

The Complete Metalsmith by Tim McCreight should be on every jewelry students work bench. Packed full of information on every aspect of metalsmithing without drowning you in details. Great for even experienced metalsmith as a quick reference book. Hardback with a spiral binding means it is durable enough to toss in your tool box and will lay flat making it easy to use while working.

Creative Stonesetting by John Cogswell

Creative Stonesetting by John Cogswell

 When you want to get past the basics of bezel setting and commercial mountings for faceted stones this book it for. This book explores how to understand and create unique setting at the bench for unusual gems. Any jeweler interested in making their own unique stone settings or wants to get a better understanding of stone setting should get this book.

Fold Forming by Charles Lewton-Brain

Fold Forming by Charles Lewton-Brain

More than 20 years ago Charles Lewton-Brain developed a new way develop forms in sheet metal. Since then many metalsmiths explored and expanded on his techniques. This book provides step by step instruction on this exploration and is good for metalsmiths of all skill levels. 

The Metalsmith's Book of Boxes & Lockets by Tim McCreight

The Metalsmith’s Book of Boxes & Lockets by Tim McCreight

At some point most metalsmiths need to know how to make hinges and clasps. Whether you want to make a locket, a hinged bracelet, or small box this book will give you all the information you could ever need. Geared toward the intermediate metalsmith with clear instruction and over 100 color photos in no time you will be creating your own boxes, hinges, and catches. 

These are just some of the books we carry at Danaca Design. Come see the complete collection at:

5619 University Way NE

Seattle, Washington. 

A Window Into Artist Kirk Lang

kirk lang ring

lunar_x_penumbra penumbra_series

Kirk Lang is a Seattle based Designer, Jeweler, Metalsmith, Machinist, Sculptor and Amateur Astronomer.  Recurring themes in his work include time and space in the form of mechanical interactive objects.  His work can be seen in such publications as MJSA Journal, 500 Metal Vessels, 500 Necklaces, 1000 Rings and Metalsmith Magazine.  He is a master craftsman no matter the subject or material.  We have also discovered he’s a fabulous instructor.  Kirk will be teaching two workshops this fall.  On the first Monday evening of each month he’ll open the studio for a Stone Setting Clinic designed to help improve and expand your stone setting skills and in mid-November he will offer an exciting Cold Connections workshop with a focus on kinetics. I had the rare and unique experience to ask Kirk all the questions that I wish I could ask every artist after I see how incredible their work is and, lucky for all of you, I have his answers right here.

lunar_rings_mens_and_womens_complete_set

What got you into teaching jewelry making/ metals?
Basically I have an insatiable curiosity to learn and acquire as much knowledge as I can when it comes to metalworking theories and techniques. At some point over the last 15+ years, I realized I had compiled a significant amount of experience and information…information that could potentially save others a lot of experimentation and frustration learning specific techniques. I am also someone who believes in empowering others, so if I can offer a skill that an individual doesn’t already know, I am happy to help. 

What are your favorite materials to work with and why?
All metals. No…truly, I’m not joking! It intrigues me that every metal has its own set of properties and the ability to be used in certain distinct ways. I find it incredibly exciting working with materials in ways that haven’t yet been thoroughly explored. If you want me to be more specific, I like these materials for the following processes…
For stone setting and traditional jewelry making, high karat yellow gold all the way. For machining, there is no better material than C360 (free cutting) brass…it is the baseline standard in which all other metals are compared. I seldom raise vessels anymore but if I do, copper is ideal. Forging, I like steel. Soldering, sterling silver…that feeling of seeing a long seam flow all at once, instantaneously, is something every metalsmith should experience at least once in their life. For welding, titanium is king…as long as you have argon. For stretching a ring up in size, fully annealed niobium is unmatched. To be honest, I could go on and on!

mars

venus_open

Can you tell us about any memorable teachers from your past who have influenced what you’re doing today, as an instructor or as an artist?
Well…I feel obligated to first mention my mother since she created me and also happens to be an art teacher (who I did in fact have for two years in elementary school). It goes without saying, that experience was little awkward. She has been supportive since day one.
In college at the Cleveland Institute of Art, I had the most ideal experience anyone could ask for. I had three instructors who helped shape me as an artist. I call them the big three…Matthew Hollern, Kathy Buszkiewicz and Richard Fiorelli. Matthew exposed me to technology very early on (he studied under Stanley Lechtzin at Tyler) which has become an integral part of my creative process. Kathy Buszkiewicz is the most thorough instructor I have ever met and possesses an incredible amount of refinement in her craftsmanship…which has been inspirational. Richard Fiorelli taught me the beauty and functionality of design, and how it connects to others. He is one of the most intense and passionate instructors I’ve ever had.

Aside from the skills outlined in your classes, what do you hope to bring to your students?
Understanding, confidence and the ability to problem solve. I make an effort to present information in a way where it is fundamentally clear and relatable through drawings and discussions so that students have a foundation to build off of. The ultimate goal for me is to provide students with enough understanding that they are eventually able to be autonomous, and use the knowledge they’ve gained in their own unique way.

What inspired your Metal Museum exhibit?
So many things, but if I had to be specific…primarily a combination of topics including time, astronomy (I own two telescopes) and personal mythology. I am someone who thinks about ideas for a long time and if an idea sticks with me one year or more, I make it. If I don’t, I can’t stop thinking about it and my desire to visualize what I’m thinking intensifies, to the point where I sometimes wonder if it is even healthy for me!
Formally, the idea for this particular body of work crystallized after researching and stumbling upon Nicolas Louis de Lacaille’s catalogue, Coelum Australe Stelliferum (the interweb is a fantastic place). A catalogue in which he identifies a series of constellations found in the southern hemisphere. The constellations are uncharacteristically named after inanimate objects, many of which are analogous to tools and instruments found in the metalsmith’s studio. These tools and instruments then became the subject matter for each of the kinetic sculptures I created. There is a whole lot more but for simplicities sake, I will leave it at that.
I am really excited to be in the studio these days. It is the first time I readily see aspects from all of my previous experimentations in a fresh body of work. My vision is clear and it feels as if I’m not making decisions anymore. I’m just listening to my gut, creating and then processing what I’ve produced later. Then, applying that information to the next piece I create.

Lang_04 Lang_05

What does “Art Jewelry” mean to you?
A conceptually realized wearable that is first and foremost Art, and jewelry second.

Do you consider yourself primarily a sculptor or a jeweler?
I would lean towards sculptor, simply because by definition it implies the negotiating of material within three-dimensional space. Since that description can also be applied to jewelry, it too can be considered sculpture in some sense.

grid_brass_skinny_perspective_1

grid_cufflinks_18K_yellow_gold_and_gold_anodized

In what kind of environment do you work best?
The perfect environment for me is a clean and well organized space. There is something serene and calming about that for me. In terms of atmosphere throughout the day, I prefer things to be quiet in the morning. I usually don’t listen to any music and just let my thoughts meander. I have a tendency to think more clearly and concisely in the morning so I usually do more writing, idea generating or complex tasks (a difficult stone setting for example). After lunch, I usually listen to talk radio, podcasts or music…I still like to keep things pretty mellow. In the evening, if I am still working (which is often the case), I will likely crank up the music and power through whatever I’m doing. Right now, that would be a steady flow of post punk, indie and experimental electronic music.

sound_study_2

sound_study_1

More information and photos can be found on Kirk’s website: http://www.kirklang.com/

Kirk is a huge asset to our community at Danaca Design and we love sharing him with you! Don’t forget Kirk has two classes coming up this fall quarter the Stone Setting Clinic and a Cold Connections class. Visit our website www.danacadesign.com for more information. You can sign up for classes by calling in at 206-524-0916. We’re here Tues-Fri 11-6, and 10-6 on Saturdays. 

constellation_ring_warm_set

Cold Connections for Stone Setting

Nanz AalundCold Connections for Stone Setting

Instructor: Nanz Aalund
November 16 and 17, Saturday and Sunday, 10:30-5:00
Class Fee: $245 | Materials Fee $25, Payable to Instructor

The potential of cold connections as design choices for stone setting will be the focus of this informative and eye opening workshop. Jewelry designer and artist Nanz Aalund will guide students in learning to make and incorporate a variety of systems that do not require a torch for setting stones in jewelry. These unique options include tabs, rivets, pierced bent-finger prongs and staples. Explore the use of cold connections for integrating fragile and non-traditional materials into your jewelry making as well. Some stones will be provided, but students are encouraged to bring experimental materials and objects. Beginning to intermediate level.

Nanz Aalund