Dana Cassara – Instructor and Founder
Dana Cassara began practicing the art of silversmithing at North Seattle Community College in 1992. She discovered her love for the craft after returning to school to pursue a teaching degree with a focus in social studies. She graduated from the University of Washington in 1998 with a B.A. in Comparative History of Ideas as well as Interdisciplinary Arts, because she just couldn’t stay out of the art department. She has been teaching jewelry design since 1999 and loves what she does.
Her aim as an instructor is to guide individuals through the learning process offering solid technical information, personalized attention, and lots of fun. With the intention of setting students on the path towards transforming their ideas into solid form, she hopes students will take the experience they gain in this studio beyond the classroom into their everyday life where problem solving skills and a profound sense of achievement always come in handy!
Nanz Aalund has taught jewelry and metals classes at the University of Washington under Mary Lee Hu and at the Art Institute in Seattle. She has served as a fine jewelry designer and consultant for Nordstrom, Rudolf Erdel, Neiman Marcus, and Tiffany & Co. and as the associate editor for Art Jewelry Magazine. Some of Aalund's many professional jewelry design awards include: 2009 Jewelry Arts Awards, an AGTA Spectrum Award, two Platinum Guild International Awards, and two DeBeers Diamond's Today Awards. Ms. Aalund can be contacted through her website: www.nanzaalund.com
Nanz Aalund spent over 20 years as a bench jeweler and jewelry designer working with repairs in silver, gold, and platinum in the Jewelry Industry and for Nordstrom.
Maru Almeida was born and raised in Mexico surrounded by a rich silversmithing tradition. Her interest as an artist has been mainly focused on the ideas of wearablility and tactile experience. Non-traditional materials have also led her to an exploration of various techniques which she incorporates into one-of-a-kind pieces. She received her BFA from the University of Texas at El Paso and her MFA from the University of Oregon. Her work has been exhibited in her home country and in various national galleries as well as in the publications Metalsmith magazine and Lark Books 500 Wedding Rings.
Ken holds a BFA in painting and drawing and an MFA in jewelry and metalsmithing. Both areas of this training are important to his work and he combines the two in one-of-a-kind mixed media wearable assemblages that are made of colored, painted, patterned, and textured bits of unusual materials combined with silver and gold.
His jewelry has been exhibited nationally and internationally and is found in private and public collections including the permanent collections of the Smithsonian National Art Museum and the Tacoma Art Museum.
As an educator Ken has been teaching for more than 25 years. He has presented workshops on jewelry and metalsmithing in schools around the country including Penland, Haystack, and Arrowmont. After nearly 20 years teaching at Montana State University Ken resigned his position in the spring of 2007 to pursue and teach full time studio work and workshops. He now lives and works in the historic smelter town of Anaconda Montana in a newly remodeled home he shares with his wife, dog, and five cats.
Harlan W. Butt
Harlan W. Butt is an artist working in metal and enamel who specializes in vessel making, many of which employ cloisonn? patterns inspired by the natural environment. Harlan is a Regents Professor of Art at the University of North Texas where he has taught since 1976. He is past President of the Enamelist Society, past President of the Society of North American Goldsmiths and a Fellow of the American Crafts Council. His work has been exhibited internationally and is represented in the permanent collections of the Boston Museum of Fine Arts, the Renwick Gallery of the Smithsonian Institute, the Museum of Art & Design in New York City, the Mint Museum of Art & Craft in Charlotte, NC, the National Ornamental Metal Museum in Memphis, the Wichita Center for the Arts in Kansas, the National Gallery of Australia, the Cloisonn? Enamelware Fureai Museum in Ama City, Japan, the Glass Furnace in Istanbul, Turkey and the Victoria and Albert Museum in London. www.harlanwbutt.com
Melissa Cable is an author and instructor based in the Seattle area and is the former owner of beadclub bead store in Woodinville, WA. She teaches around the country and is the author of "Spotlight on Wire" (2011) and "Metal Jewelry in Bloom" (2013) and her work has been published in BeadStyle, Wirework Magazine, Step By Step Wire and Art Jewelry. Her work has been exhibited in the Kentucky Museum of Art and Craft, Ohio Glass Museum, and the Windisch-Hunt Fine Arts Gallery (Coconut Grove, FL). She has an MBA from the University of Washington and combines her business and creative sides by serving as a consultant for Crackerdog Designs, where she markets and develops products using Robert's Real Faux Bone. Melissa is constantly experimenting with materials and techniques and documents what she has learned on her blog, Create Recklessly. You can see Melissa's blog and work at www.melissacable.com.
A number of years ago, I met a woman in a drawing and painting course who was from a family of jewelers. She created the most interesting things. It aroused my interest so I enrolled in a metalsmithing class at North Seattle Community College and I was hooked.
I became interested in chain making over four years ago. It requires little space, few tools, and is relatively portable. There seems to be no end to the patterns we can make. I began teaching to share the beauty that can be created with simple tools and some patience.
I have found that chain making provides a wonderful break from my real life which can be quit stressful. I started my adult life as a registered nurse and along the way have acquired a lot of education and training. I completed a PhD in education in 2004 and continue to pursue teaching and learning.
Melissa is an Australian-born artist jeweller who lives and works in Seattle, WA. She holds a MFA in jewellery and metalsmithing from Monash University and BA with honours in interior architecture from Curtin University. Her works are included in the collections of the National Gallery of Australia (Canberra), the Cheongju City Collection (South Korea) as well as the Arts Centre Melbourne (Australia), and her pieces have featured in the publications Jewel Book, Art Jewellery Today 3 and Lark Books' 500 Silver Jewelry Designs.
Andy Cooperman is a metalsmith, writer, and teacher who lives in Seattle, WA. His work is featured in galleries nationwide, including Patina Gallery in Santa Fe, deNovo in Palo Alto and Velvet daVinci Gallery in San Fransisico. He is a past recipient of a WESTAF/NEA Fellowship, and teaches seminars and workshops around the country, most recently as a visiting lecturer at the University of Washington. In addition to one of a kind jewelry pieces, Andy also works with clients as a custom jeweler and commission metalsmith. His work can be found in the permanent collection of the Victoria and Albert Museum, Central College, Pella Iowa and appeared most recently in the exhibitions The Art Of Gold, Metalisms, Chess and The Ring Show.
Publications include the books Art Jewelry Today, 1000 Rings, 500 Brooches, The Craft Of Silversmithing, The Penland Book of Jewelry and Fundamentals of Metalsmithing.
Paul DeBlassie has been a metalsmith for the past 19 years. He received his MFA in Sculpture from New York's Hunter College. He is a former metals technician and faculty member of Parsons the New School for Design, and spent nearly nine years as a production assistant and production manager for Ted Muehling in New York City. DeBlassie currently lives in Seattle, where he operates his business as a metal finisher, designing and producing his own production line of jewelry. He is selling his jewelry in stores on the West and East coast.
Nancy Megan Corwin
Megan Corwin lives and works in Seattle, Washington. In 1983 she received her MFA in Art Metals at the University of Wisconsin-Madison where she studied with Eleanor Moty and Fred Fenster.
Since leaving her position as Head of Jewelry and Metals at the University of Oregon-Eugene in 1994 to have a child, Megan has been teaching workshops and credit classes in metals around the United States. Her area of expertise is chasing and repoussé, and she is currently writing a technical and gallery book on the subject to be published by Brynmorgen Press, Portland, ME in 2009.
Megan has one-of-a-kind jewelry and metalwork in many private collections around the United States and in the following: The Victoria and Albert Museum in London, England, Washington State's Tacoma Art Museum's permanent collection and in the State University of New Mexico Art Gallery at Las Cruces Gallery's permanent collection.
Megan is represented in Seattle, WA at Facere Jewelry Art Gallery. View her work at www.nancymegancorwin.com.
For over twenty years Jim Dailing has dedicated his artistic senses to silversmithing and unique metalsmith design. Originally, he designed jewelry for Maui Divers in Hawaii and is currently designing and creating unique wedding rings of high karat gold and platinum metals. He is one of the faculty in the art department at the University of Portland and recently taught at OCAC (Oregon College of Arts and Crafts). This summer he completed his 8th season at Mendocino Art Center. He is former teacher at the Unviersity of Oregon, University of Wisconsin-Stevens Point and also teaches privately. Mr. Dailing holds a BFA from the University of Wisconsin-Stevens Point and MFA from the Tyler School of Art. You can see some of his work at www.jimdailing.com
Bill Dawson came to art metals by way of blacksmithing at the University of Oregon. Since then he has been making a living with metalsmithing, both teaching and creating custom pieces for all manner of patrons. A close examination of metalwork of ancient cultures of Ireland has given Bill a deeper understanding of the character of the metal itself, as well as the aesthetics of the past. You can see Bill’s work at www.billdawsonmetalsmith.com.
Chuck Domitrovich has been making and selling jewelry for over 12 years. He stumbled upon jewelry while at the University of Washington in the late 1980’s and was fortunate enough to take classes from both Mary Hu and Micki Lippe. Apart from the three classes he took at the UW he is largely self-taught through books and experimentation. He has sold at the Fremont Sunday Market, Facere Jewelry Art Gallery, and everywhere in between. He is also experienced with online sales and sees huge potential in it when done right. Chuck has a love of all things metal which has sustained his passion since that first class.
Peggy Foy holds a BFA in Jewelry and Metalwork from the University of Georgia; she moved to Seattle in 2005 and has been an active part of the metals community here ever since. She delights in making objects that look like they are out of another time or another world; Art Nouveau is a strong influence and swirling, graceful lines play a notable part in her work, as do Science Fiction and Steampunk themes. Peggy is a board member of the Seattle Metals Guild and was selected for Artist Trust's EDGE program in 2014. She maintains a jewelry studio in historic Pioneer Square in Seattle, and sells her work in studio sales and through ArcanaMetalwork.Etsy.com.
Aran graduated from Virginia Commonwealth University in 2000 with a BFA in metals. In 2006 she was accepted into the Core Fellowship Program at Penland School of Crafts. Using forms found in nature as a starting point, she creates wearable jewelry that conveys an idea of unconventional beauty. Her work was included 500 Enameled Objects by Lark Books, has been part of several exhibitions throughout the U.S., and can be found at the Penland Gallery and Quirk Gallery in
Jeff Georgantes has a MFA in Jewelry/Metals from CSU, Fullerton and a BA in Art and a MA in Sculpture, both from CSU, Humboldt. He taught Art at College of the Redwoods, Eureka, CA, for fifteen years and has taught numerous visiting artist workshops across the USA. He helped develop and coordinate the Jewelry/Metals program at the Mendocino Art Center from the early 1990s until 2005 when he started his position as head of the Jewelry/Metals program at Dartmouth College, Hanover, NH. His work can be seen in Alan Revere's book, The Art of Jewelry. See his complete bio and image on his website: www.jeffgeorgantes.com
Julia Heineccius hasn't had a sole answer to the what-is-your-favorite-color question since the ripe age of 3.
After received her BFA in Metals from the University of Washington in 2006, she worked for local jewelers for several years, saving her nickels and traveling to explore the contemporary jewelry scenes in Munich, Amsterdam, and Finland before returning to school to work towards an MFA at Cranbrook Academy of Art near Detroit.
In 2010 Julia participated in the Artist Trust EDGE Program as a Pratt Art Bridge Fellow. She has recently shown work in national and international exhibitions including "Our House" at Galerie Louise Smit in Amsterdam, the "State of Flux" Student Exhibition at SNAG 2011, as well as with the Seattle Metals Guild Biennial.
You can see some more of her work at www.jthstudio.com.
With a background in Ceramics and Glass, Linnie Kendrick renewed her interest in Metalsmithing after moving to the Seattle area in 2004. Since then she has benefited from studying with many terrific local and national artists at Pratt and Danaca. Linnie received a BA in Ceramics in 1985 from the University of Dalllas and was awarded a Penland Core Fellowship from 2002-2003.
Linnie's goal as a teacher is to ensure that students achieve a clear understanding of material and process, while recognizing individual learning styles.
Barbara received a BFA in Metalsmithing and Jewelry from University of Wisconsin-Whitewater and an MFA in Metalsmithing and Jewelry from San Diego State University. In August 2010 Barbara felt the lure of the Pacific Northwest and came to Seattle from San Diego in search of a thriving metal arts community, mountains, and great coffee. Here she continues to find work in her field as a teacher and bench jeweler while participating as a board member of the Seattle Metals Guild and Passing the Torch Committee. With a focus on making and exhibiting her work, Barbara actively seeks out opportunities to participate in the metal arts field. Her current body of work consists of sculpture and body adornment that act as memorials; exploring themes of mourning and memory. Outside of her conceptual work Barbara is fascinated with the creation of various hollowware created through processes of raising, sinking, forging, and electroforming.
Recent professional experiences include artist lectures at the Art Institute of Chicago, Arizona State University, and the University of Wisconsin-Whitewater. Latest exhibitions include Craftforms 2011, Wayne Art Center, Wayne, PA; Movement, 724 Studios, San Francisco, CA; Recontextualizing the Found Object, Slippery Rock University, Slippery Rock, PA; Publications include The Pewter Studio, Lark Books, 2010, and 500 Pendants and Lockets, Lark Books, 2008. View her work at www.barbaraknuth.com
For 25 years post-conceptual artist, educator, and author, Victoria Lansford has created one-of-a-kind wearable sculpture and art objects that evoke the mystery and splendor of ancient masters yet are infused with her own provocative vision. Through her artwork, publications, workshops, and passion for creating, Victoria has generated an international revival of nearly lost, old world metalsmithing techniques, including high relief Eastern repoussé, Russian filigree, chain making, and granulation, and paved the way for metalsmiths to rediscover the variations from other cultures. Her award winning artwork has appeared in a multiple exhibitions and publications. She creates and lives in Atlanta, Georgia. Learn more at www.victorialansford.com
Kirk Lang is a Seattle based Designer, Jeweler, Metalsmith, Machinist, Sculptor and Amateur Astronomer. He holds a MFA from the University of Washington in Metal Design and a BFA from the Cleveland Institute of Art in Jewelry & Metals. Recurring themes in his work include time and space in the form of mechanical interactive objects. In addition to maintaining an active studio, he works as a Gold & Platinumsmith at Green Lake Jewelry Works and has taught at the University of Washington and North Seattle Community College. His work can be seen in such publications as MJSA Journal, 500 Metal Vessels, 500 Necklaces, 1000 Rings and Metalsmith Magazine.
Keith Lewis received his BS in Chemistry from Dickinson College (Carlisle, PA) in 1981 and his MFA in Jewelry & Metalsmithing from Kent State University (Kent, OH) in 1993. He has been teaching at CWU since 1994, where he is currently CWU Distinguished Professor.
His jewelry deals with issues of sexual identity, memory, loss, and the notion of jewelry as a transportable polemic. It has been widely published and shown both nationally and internationally and is represented in a number of significant public and private collections, including the Tacoma Art Museum, The Houston Museum of Fine Arts, The Rotasa Foundation (CA), The Boardman Family Collection (CA), The Porter/Price Collection (NC), the collection of Susan Beech (CA), The Smithsonian Institution and The Metropolitan Museum of Art.
In addition to his work as an artist and teacher, he has also written for a number of publications including Metalsmith, New Art Examiner and Artweek and has served as a member of the Board of Directors of the Society of North American Goldsmiths (SNAG) and of the Metalsmith magazine Editorial Advisory Board.
He wishes that students would stop sleeping and start spending more time in the studio. He hates excuses. His favorite fruit is jaboticaba.
Master goldsmith Charles Lewton-Brain has trained, studied and worked in Germany, Canada and the United States to learn the skills he uses. His work is concerned with process and with beauty as well as function. He thinks of decision making in metal as drawing, working with the same sensibilities of mark and commitment as with pen and ink. Many pieces use a 'printmaking' approach to working metal, that is that the work is done in separate steps in groups and layers building towards the finished piece. Process and the tensions between nature and structure are part of his concerns. His work and writing on the results of his technical research, have been published internationally. In 1994 Brain Press was established which documents, publishes and markets the results of his research activities. His most recent publications include two major books in 2008, Foldforming with Brynmorgen Press, and The Jeweler's Bench Book with MJSA Press.
A distinguished Fellow of the Society of North American Goldsmiths and a Fellow of the Gemmological Association of Great Britain, he has lectured and taught in England, Germany, the United States, Canada and Australia. He is a consultant on the jewelry field, and has written expert witness reports regarding health and safety in US legal cases.
Micki Lippe is an internationally known artist who has exhibited her works throughout Europe, South Korea, and the United States. Her works can be found in the collections of the Racine Art Museum and the Tacoma Art Museum. Lippe has a studio in Seattle and has served the Pratt Fine Arts Center as a trustee and an instructor.
Inspired by the beauty and mystical properties of silver, gold and gemstones, Suz O’Dell studied metalworking for several years from Richard Leaf at Sharon Arts Studio in San Francisco and from Hugh Powers, former Tiffany jeweler, at the Richmond Art Center. Concurrently, O’Dell learned the art of lapidary (stone-cutting). She became a certified PMC teacher through the PMC Guild in early 1998 and has taught for six years. She has offered courses and weekend workshops at Sharon Arts in San Francisco, Sonoma Community Center, and other venues such as the Mendocino Art Center, Palo Alto Art Center, and Capitola Parks & Rec Center.
O’Dell designs and fabricates jewelry, working in silver, gold and gemstones. Her work, whimsical one-of-a-kind pieces featuring precious and semi-precious stones, set in silver, gold and PMC, draws on ancient themes, interwoven with contemporary interpretations. To view a sampling, you can visit her website at www.tribalzonestudio.com.
Juan Reyes began studying silver smithing in 1995 at North Seattle Community College and since then has developed extensive expertise in a wide range of techniques including lapidary and goldsmithing. He is generous with his knowledge, patient beyond measure and well loved for his helpful, non-judging nature. Juan brings warmth and creativity to every class he teaches.
Metalsmith, freelance writer, mountain biker, community gatherer, adventure seeker, classic cocktail maker, and entrepreneur, these are a few of the passions that influence my life and my art. My granddad passed-on to me his love and respect for tools. That combined with my love of fashion and sculpture result in the metal work I do today. Inspired by cities, nature, mechanics and life I create work that is just a bit different than everyone else. I feel it's important to find your own voice and proudly ride that shiny unique rainbow unicorn all the way into the sunset!
I've exhibited in galleries nationally and internationally including Gallery 360, Minneapolis and A CASA Museum of Brazilian Object, San Paulo Brazil; at art festivals including Cherry Creek Art Festival and CraftBoston; and in both hard and electronic publications including American Craft Magazine, Art Jewelry Magazine, Behind the Brooch and Crafthaus, to name a few.
Recently I created a project to connect communities called "Case of the Nomads". During this yearlong trip I will be traveling with a live-work space/metalsmithing studio, a bike and my adventure dog "India" with my car. Along the way I will visit many communities including art and biking communities with the purpose of learning more about them, making connections and sharing my experience.
Currently I write for Art Jewelry Magazine and, while on the road, I am working on my first cold connection jewelry design book slated for release in 2017.
Rachel Kassia Shimpock is a California native raised in Orange County, Ca. by two high school teacher parents. At age 11 she got separated from her parents in historical Williamsburg and wandered into a smithy where a blacksmith let her hit steel with a tiny sledge hammer, she's been smitten ever since! She recently received her MFA in the Jewelry/Metalsmithing program at San Diego State University with Professors Helen Shirk and Sondra Sherman. Metal and the format of jewelry in particular speak to her and for the last 12 years it has allowed her to communicate personal stories and there are many! Rachel is carrying on the legacy of her family and her trade by teaching workshops and art classes utilizing any opportunity to spread the gospel of metals and jewelry!
Helen Shirk is Professor of Art Emerita at San Diego State University where she taught from 1975-2010. She graduated from Skidmore College (BS 1963) and Indiana University (MFA 1969), received Fulbright (1963) and NEA Grants (1978, 1988) and was made a Fellow of the American Craft Council in 1999. Her metalwork is in numerous public collections, including the Schmuckmuseum (Pforzheim), National Museum of Modern Art (Kyoto), Victoria and Albert Museum (London), National Gallery of Australia (Canberra), Houston Museum of Fine Arts, Mint Museum of Craft and Design, Cooper-Hewitt National Design Museum, Oakland Museum, and the Boston Museum of Fine Arts.
I have a BFA from Nova Scotia College of Art and Design University in Halifax, N.S. My teaching experience includes printmaking and enamel classes for both adults and children. I was a full time art instructor at the Brock Fahrni Centre and Canadian Red Cross for 9 years and taught part time with the Burnaby Art Centre, and Vancouver Parks Board for two years. I was studio assistant for Maria Phillips at fall concentration Penland School of Craft. My experience includes guest artist at Okanagan College and for at Pratt Fine Arts (for an enamel class taught by Maria Phillips).
I love the diversity and seductive qualities of the enamel and enjoy sharing an understanding of the material with students. I begin with a simple sketch, using the enamel as a printmaking or drawing medium, I work rather intuitively allowing the work to evolve. There is an element of assemblage or evolution in my process and composition, and I am excited about the imperfections in the surfaces.
I am represented by Facere Jewelry Art Gallery, Seattle WA, Velvet da Vinci, SF CA, and Galerie Noel Guyomarc'h Bijoux D'Art, Montreal Quebec. My work has been featured in the 500 Series by Lark, Color on Metal by Tim McCreight and Nicole Bsullak, Guild Publishing, Exhibition in Print 2003, Signs of Life 2008, and the Jewelry Artist.
Jennifer began her studies in photography and printmaking at the University of New Mexico. She did her graduated studies at the University of Wisconsin Madison studying with Martha Glowacki, who encouraged her in the use of mixed media as well as Fred Fenster and Eleanor Moty who gave her the opportunity to develop a strong base in metals techniques and design and a better understanding of integrity to one's craft. After college Jennifer developed the Metals and Jewelry Department at Savannah College of Art and Design. While doing so she maintained a small studio in the Savannah historic City Market. A native of Atlanta Georgia, Jennifer Stenhouse currently makes her home and studio in Seattle, Washington. She has been teaching art and jewelry classes and has lectured and exhibited throughout U.S. and Mexico for over 15 years.
"I have been making art for as long as I can remember. When I'm not making it, I'm teaching it. These are my two passions."
Allan Thorne has made jewelry most of his adult life. He studied jewelry fabrication at the Los Angeles County Art Museum as well as at North Seattle Community College. Energetic and enthusiastic, Allan is committed to the restorative and transforming power of art making. Aside from jewelry making, Allan also paints, draws, practices photography and makes clothing out of plastic bottles!
Stephanie Tomczak received her BFA in Jewelry from the University of the Arts of Philadelphia, PA in 2007. Her work has been shown in curated exhibitions, recently including "The Enamel Show" at Velvet da Vinci and "Decorative Resurgence" at the SNAG conference 2009. As well as, featured in publications such Lark Books', 500 Enameled Objects and Ornament Magazine. Stephanie has been awarded with honors of excellence from the Bellevue Arts Museum, the Enamelist Society and the University of the Arts. She currently keeps a studio in her Seattle home and is active in the local jewelry community.
Stephanie is represented by Heidi Lowe Gallery in Rehoboth, DE and Gallery Lulo in Healdsburg, CA. View her work at www.stephanietomczak.com
Seattle artist Cynthia Toops has always been fascinated with beads. An ivory cicada bead carved by her father is one of her most cherished possessions. However, it was a copy of Lois Sherr Dublin's "The History of Beads", which catapulted this fascination into a passion and career. Falling in love with the Roman face beads on the cover, Cynthia was inspired to make her own versions. During a visit to her native Hong Kong, Cynthia discovered polymer clay and fell in love with the medium. Cynthia is inspired by 18th Century Italian micro mosaics, as well as the elaborate works of Mexico's Huichol Indians, who embed seed beads in hot wax. Adapting these styles to polymer clay, Cynthia developed techniques that work for her and are 'simple and very low-tech'. Using this technique of mosaic in her work, Cynthia is able to create tremendous richness, texture and subtle color variation on a single piece. Cynthia is widely published and exhibits and teaches throughout the United States.
David has been working with metals, beginning with jewelry, since the age of fifteen. He began forging as part of a sculpture course at Santa Barbara City College in 1988. He did not begin forging full-time until 1992 when he began to do privately commissioned work. Predominantly self-taught, he has been constantly challenging himself to further his skills by taking on tasks, or designing jobs that force him to learn something new. He has been operating his business, FIRE HORSE FORGE in the Ballard neighborhood of Seattle since1994, where he produces architectural commissions, as well as furniture, sculpture, and jewelry.
"As a young girl I often spent time making things, drawing and assembling projects without instructions. I come from a line of craftspeople, artists and photographers and have always been encouraged to create. My love of jewelry began with a spool of aluminum wire in High School that led to my first line called 'Lobes.' I went on to college to study Fine Arts in Chicago. Later, I learned metalsmithing at Pratt Fine Arts Center in Seattle.
For the past 7+ years I focused on one of a kind Fine Art Jewelry, such as hand fabricated silver bird cameos set with images from my collection transferred to polymer clay.
I find inspiration from my love of organic forms, color and image. I visit a community garden in my neighborhood often for inspiration and taking photographs.
This spring I embarked on a new line of jewelry designed using organic forms set with photographs that I have taken during my travels or from my image collection. I love seeing the story that takes shape when the two are combined.
I build the originals by hand and then have them cast locally with a company that uses mostly recycled sterling silver. I fabricate all of my clasps and ear wires by hand. I also transfer the photographs myself to polymer clay to give the images depth and versatility. They are then coated in a layer of polymer for durability."
Carol Webb is a studio jeweler based in the Santa Cruz Mountains, California. She has been exhibiting jewelry and presenting etching workshops across the country for the past 20 years. Her jewelry is known for the use of silver and black patterned imagery, accomplished through the process of etching copper clad fine silver and through copper-based alloys to achieve a layered and transparent quality. Her work has appeared in several books and periodicals.
Jessie Wylie began making jewelry in high school and has pursued this passion with great enthusiasm ever since! She earned her BFA in Metalsmithing and Jewelry from the University of Oregon, and continues to explore her love for wearable art through teaching, working on the board for the Seattle Metals Guild and continual experimentation with materials. Jessie is also a graphic designer who enjoys using a combination of photography, line work and pattern, which is reflected in her metal work. Her jewelry can be found at Gilt jewelry boutique in Portland.